Legendary Musician John Jorgenson Releases Two New Albums on February 16th – One Stolen Night and Istiqbal Gathering; Celebrates January 23rd Centennial of Gypsy Jazz Guitarist Django Reinhardt

Nashville, Tenn.— As one of the pioneers of American gypsy jazz music, Jorgenson is celebrating the father of gypsy jazz, Django Reinhardt, whose 100th birthday would have been January 23rd of this year, with two album releases and a touring schedule that takes him across the country and across the pond with the John Jorgenson Quintet. Widely known as the "U.S. Ambassador of Gypsy Jazz," Jorgenson has earned a reputation as a world-class musician and guitarist and has collaborated with the likes of Elton John, Luciana Pavarotti, Bonnie Raitt and Bob Dylan. Both new releases see this legendary musician exploring new elements of world music, bluegrass, rock and classical as Jorgenson expands the range of gypsy jazz, captivating and enlightening fellow musicians and listeners along the way.

One Stolen Night, Jorgenson’s first 2010 release, is the second album credited to the John Jorgenson Quintet, following up on the Billboard Jazz chart success of Ultraspontane. This collection contains a mix of standards and new compositions, with plenty of clarinet and swing, plus a vocal and the addition of the Greek bouzouki into the Quintet's instrumentation. The Quintet recorded all of the tracks in two days using minimal production, resulting in a "live in the studio" sound that is warm, rich and so crisp that it transports the listeners to an intimate private concert.

The album features a driving rhythm section throughout as Jorgenson creates a classic gypsy jazz feel while pushing the boundaries with his arrangements and melodic content. "Red on Red" opens the album with fanfare and Django-inspired minor key swing, while "Mediterranean Blues" highlights a fiery jam session between violin and guitar. The title track, “One Stolen Night,” presents a captivating melody and showcases the enchanting sound of the bouzouki. Throughout the album the John Jorgenson Quintet creates a unique musical experience that equally enthralls the most discerning and the casual music fan with a sound that is all at once dynamic, romantic, driving, melodic and accessible.

Jorgenson’s second album release in 2010, Istiqbal Gathering, is the culmination of a long relationship between Jorgenson and Paul Gambill, conductor of Orchestra Nashville, and was recorded live at Ocean Way Nashville and the Schermerhorn Symphony Center. Jorgenson and Gambill combined with a world-class team of musicians and collaborators to create the first collection of music specifically composed and recorded for gypsy jazz guitar and orchestra.

Jorgenson's brilliant guitar work leads the way, supported by the progressive and dynamic Orchestra Nashville. "Concerto Glasso" and "Istiqbal Gathering" feature a full orchestra, the latter showcasing the breathtaking talents of Alexander Fedoriuk on cimbalom and David Davidson on violin. "Dieter's Lounge" and "Groove in the Louvre" feature the unexpected blend of string orchestra along with the GRAMMY award-winning Turtle Island Quartet. The combination is a groundbreaking album full of soaring melodies and driving rhythms, and it is utterly one of a kind.

The John Jorgenson Quintet is the only American act to ever headline the prestigious Django Reinhardt Memorial Festival in France, and has been featured at other "Djangofests" in the U.S., UK, Germany and Canada. For the films Gattica and Head in the Clouds Jorgenson was tapped to recreate Django's music, and in the latter he even appeared onscreen as Django with stars Charlize Theron and Penelope Cruz.

Despite the levels of success Jorgenson has already attained, the acclaimed musician has no intention of taking it easy any time soon. Building on the legacy of Reinhardt, Jorgenson continues to expand the popularity of his beloved gypsy jazz by offering listeners an exotic yet familiar sound to which they can relate. If 2010 is any indication, we can expect Jorgenson to take gypsy jazz to new heights for many years to come.

Chris Smither Makes Time Stands Still - New Collection of Original Material and Stunning Covers Available Sept. 29

Nashville, Tenn.- Four decades of music mastery and songwriting craft come together on Chris Smither's latest collection, Time Stands Still -a gripping mix of originals and potent covers. The new collection comes out September 29 on Signature Sounds/Mighty Albert. Time Stands Still puts the exclamation point on a legendary career that shows no signs of slowing down. On the contrary, this blues and folk superstar continues to build creative momentum.

His latest effort features a slew of tunes stripped down to their essence, shining the spotlight on Smither's understated power as a songwriter-one who taps into emotions at their most elemental and powerful core. It's a reminder why artists as diverse as Bonnie Raitt, Emmylou Harris and Diana Krall have mined Smither's catalog in the past.

He's teamed with producer and guitarist David "Goody" Goodrich and drummer Zak Trojano to create a simple, yet emotionally powerful musical landscape upon which to paint his blues and folk-fueled narratives. As always, Smither's signature finger-picking style mixes with his whiskey-meets-honey vocals to deliver intensely honest meditations on life, love and loss.

Smither's 11th studio album was recorded in just three days and captures the vibrant urgency and immediacy of his live shows. It features eight original compositions as well as covers from Bob Dylan, Mark Knopfler, and 1920s country-blues songster Frank Hutchison.

Equal parts existential inquisitor and day-to-day chronicler, Smither has an innate ability to imbibe songs dealing with contemporary issues with a timeless quality. Whether playfully dealing with parenthood on "I Don't Know" or acting the seducer on "Don't Call Me Stranger," the brokenness of the blues is never far away. Every song is seeped in emotion, burnished with wisdom of hard-fought knowledge. Like the master craftsman he is, Smither always marries the right melody with thought-provoking, heart-and-soul rending lyrics. Nowhere is that more evident than on the soulful title track. Building on a toe-tapping beat, Smither's voice plaintively sings "I kissed her twice at the speed of light and time stood still," perfectly capturing and immortalizing one of the small moments that give so much meaning in life.

Like all great blues and folk masters, Smither doesn't wallow in the darkness. Rather he illuminates it, and the songs on Time Stands Still shine a light on the intricacies of the human condition.

His insights and creativity are finding new outlets. He recently contributed a short story for the new book, Amplified (Melville House), a collection of 16 stories by some of today's most compelling performing songwriter. His story, "Leroy Purcell" kicks off the collection.

Burgeoning literary powerhouse, distinctive guitarist, captivating storyteller and song poet-there's no end to Chris Smither's creative talents. He's got so much going on, don't be surprised if his latest collection of music makes Time Stands Still.

Derek Webb and INO/Columbia Records Silent No More With Release of Stockholm Syndrome on September 1st - Pre-Release Awareness High as Derek Unveils New Release and Prepares for "Black Eye" Tour

Nashville, Tenn.- Singer-songwriter Derek Webb unveils Stockholm Syndrome to excited fans and pre-release buzz this fall. Set for release on September 1, 2009, Stockholm Syndrome finds Webb once again facing debate head on. The album is the most provocative and stirring release of his storied career and Webb partners the much-anticipated release with a 20-date tour and a DVD documentary of the project.

Stockholm Syndrome delivers everything listeners have come to expect from Derek Webb: killer pop hooks and lyrics as thought provoking as they are emotionally revealing. Sonically, however, this record is a radical departure for Webb, who has left his acoustic, folk/rock roots behind for a sound he describes as "intentionally inorganic." Webb co-produced Stockholm Syndrome with former Caedmon's Call bandmate Josh Moore (Bun-B, Slim Thug), a producer who in recent years has lent his ear to hip-hop recording projects.

Together, Webb and Moore have succeeded in creating a dense, richly absorbing sonic vernacular that pays homage to an entire century of music. From 1920s jazz to 1950s doo-wop, from disco and dance music to old-school R&B, Webb uses this album as a means of exploring deep issues through the central metaphor of Stockholm Syndrome, illuminating the ways in which a society can fall in love with an oppressive culture and become enslaved by it. That sound is palpable in every track from the strut of "Black Eye" and "Cobra Con" to the electropop of "Jena & Jimmy."

Webb has also made a name for himself in the technological world for his unique fan engagement techniques. Nearly 5,000 people regularly followed details of Webb's release of Stockholm Syndrome and Webb was among the top 70 Google searches (Internet wide) the first day information was released through his website.

Webb employed Twitter followers in more than 20 cities with an online scavenger hunt that climaxed in a Nashville preview event. More than 1,500 people per day participated in the search for "artifacts," USB drives that contained new music. Webb will revisit the scavenger hunt markets as part of his "Black Eye" Tour which kicks off in Louisville on September 17th.

When Mockingbird, Webb's critically acclaimed 2006 album, was released he convinced INO Records/Columbia Records to give away more than 80,000 free album downloads. This widely publicized promotion more than doubled Webb's concert audiences and eventually paved the way for Webb to launch a revolutionary new online music distribution system, NoiseTrade. The Mockingbird experiment and subsequent launch of NoiseTrade led to a case study assessment in WIRED Editor-in-Chief Chris Anderson's upcoming book Free: The Future of a Radical Price.

Derek Webb has truly proven himself to be an innovator in the evolving music landscape. His extraordinary marketing capabilities and consistently thought-provoking lyrics are exactly why his fan base continues to expand. On Stockholm Syndrome, Webb showcases a new sound, yet the complex contemporary lyrics and point of view will be familiar to longtime Derek Webb fans.

Bluegrass Legend Doyle Lawson Releases Lonely Street on May 5th, 2009 - Rounder Records Release Marks 30 Years of Recording with His Band Quicksilver

Nashville, Tenn. - The adventure is still unfolding and nowhere near complete, but if the story of Doyle Lawson & Quicksilver were a novel, it would be hailed as a masterpiece. The iconic Lawson has been a stalwart and legendary contributor to the bluegrass genre for over 45 years. His latest Rounder release, Lonely Street, celebrates 30 years of recording with Quicksilver and marks his 34th release with the band. The album, due on May 5, was produced by Lawson and features the trademark vocal harmonies and stellar musicianship that powered the band to an unprecedented seven-straight International Bluegrass Music Association (IBMA) Best Vocal Group Awards.

Lawson is the one constant in a band that has featured 39 different musicians over the years. The band has been a training academy for bluegrass players - initiating, training and then sending out into the world, some of the genre's most respected musicians. The musicians featured onLonely Street are comprised of Lawson (mandolin, vocals), Darren Beachley (guitar, vocals), Carl White (bass, vocals), Joey Cox (banjo), Josh Swift (resophonic guitar, Weisenborn guitar and percussion), and Brandon Godman and David Johnson (fiddle).

The new record opens with "Monroe's Mandolin," an ode to the mandolin master Bill Monroe. Other songs come from the pen of some of country music's most celebrated songwriters including Porter Wagoner ("Big Wind") and Marty Robbins ("Call Me Up & I'll Come Callin' On You"). Lawson teamed up with bandmate Swift to record the instrumental "Down Around Bear Cove," one of the album's highlights.

The new collection of music finds the venerable master delivering another razor-sharp display of bluegrass virtuosity. Seemingly always at the top of his game, Lawson continues to receive awards and accolades - from a string of Grammy nominations to multiple IBMA award wins. He was the recipient of the National Endowment for the Arts' National Heritage Fellowship, the Endowment's highest honor granted to traditional and folk artists for career accomplishments.

Lonely Street is not only the celebration of bluegrass mastery between Lawson & Quicksilver, it's another cornerstone in the foundation of an enduring legacy. Legends are made, not born and Doyle Lawson & Quicksilver have spent 30 years carving out their own eminent place in the bluegrass pantheon.

Eilen Jewell Releases Third Record Sea of Tears on April 21, 2009 - Release of Rock Tinged Album Calls From Bygone Era

Nashville, TN - Like a throwback to the music performed in a whiskey-soaked dance hall, the third record from Boston songwriter Eilen Jewell, Sea of Tears, is an honest narrative of a woman journeying in and out of love.

Set for release on April 21, 2009, through Signature Sounds, Jewell is more Dusty Springfield than Gillian Welch. Sea of Tears finds the artist acknowledging her electric influences and the roots of rock and roll on the album's twelve tracks. She pays homage to the British invasion of the sixties, bands like The Kinks and The Animals; her forlorn, yet confident, delivery matches slow rock and resonant guitar sounds throughout the record. Although nine of the tracks are Jewell originals, the entire album could easily have been recorded forty years earlier.

Sea of Tears has a smooth sliding pace that is punctuated by a chill of sharp guitar. The tone can be summarized in the words of "Shakin' All Over," a cover of Johnny Kidd & The Pirates' recording, where Jewell expertly explains the album's sound in the lyrics, "Quivers down the back bone...shakin' all over." The slow syncopation on the record hits the listener like ice water on a hot sunny day, unexpected but appreciated.

The album was recorded along with her touring band; a tried and true ensemble of Jewell, Jason Beek (drums, harmony vocals), Jerry Miller (electric, acoustic, and steel guitars), and Johnny Sciascia (upright bass). The rapport of years touring together along with the musical talent are album highlights; the support behind Jewell's vocals augments her confident presentation and lets her heartfelt lyrics stand out against the backdrop. The four musicians merge to produce a tight swagger that cascades through the album.

Stated as the album opens, "There's only one constant in this whole world, that's nothing ever stays the same." Jewell references mortality in the song, but the sentiment can be applied to her dynamic musical style. Eilen Jewell is a multi-faceted artist whose previous two records, Boundary County (self-released, 2006) and Letters from Sinners and Strangers (Signature Sounds, 2007) received national attention for their crisp, organic feel.

After the release in April, Eilen and her band will tour up and down the East coast in some of the nation's most well known venues; touring in support of the record, Jewell will transform the stage around her into a performance arena of the 1950s and 1960s. From Vermont to North Carolina, Jewell and her band will captivate listeners with her timeless narratives all over the country.

Austin's Rising Star Charlie Faye Releases Debut Album Wilson St. on July 14th - Singer-Songwriter Reveals Dynamic Spirit Through Activism and Music

Nashville, Tenn. - Austin singer-songwriter Charlie Faye releases her debut album Wilson St. on July 14th. Showcasing her sultry voice, the release also demonstrates Charlie Faye's extraordinary ability to capture the American experience as a songwriter. Aptly named, Wilson St., is much more than an album title or even a street name to Charlie Faye; it is a beautiful tapestry of her experiences across this country, from New York to Texas, sewn together through lyric and melody over state lines.

After making a name for herself in her hometown of New York playing with her band the Jerks and touring as a sideman with Dan Zanes and Friends, Charlie Faye moved to Austin in search of a change of scenery and some new inspiration. She was quickly enveloped by Austin's vibrant local music scene and found herself collaborating with local and traveling musicians alike. She came looking for a community, and between music-filled nights and afternoon barbeques, that's exactly what she found. In the process, she became a rising star in the Live Music Capital of the World.

On Wilson Street in Austin, Charlie Faye found her home, as well as her cause, among the run-down cottages that served for decades as a sanctuary for the city's musicians. When the neighborhood was to be destroyed by a local developer, Charlie single-handedly fought back and devised a plan to relocate the affordable cottages instead. She had discovered magic in that musical enclave, a magic that had been present for generations, and she was not willing to let it go. Her community needed her to save it and she rose to the challenge. An Austinite for two short years, Charlie's undeniable presence has already left a mark, both on Wilson Street and city wide, through music and activism.

Many of the songs on Wilson St. were composed on Charlie's old Gibson in her cottage on that very street and, in true bohemia fashion, are organic and candid. Album standouts include "Runaround," a roll the windows down summer hit that speaks to the uncertainty of young love; "Coward's Lament," a wistful, crooning tale of love's weakness; and "Bottletops," a story of the passing of time by a lonely character, ready to tell his story over a jug of wine. These songs are a reflection of Charlie's experiences. They are songs about real people and real places that have changed her life.

Charlie is supporting the release of Wilson St. with a summer tour that includes appearances at the Riverbend Festival and Summerfest. Beginning in 2010, Charlie will take her love of community and adventure to a new level with a ten-month tour that will involve residencies in ten different cities. Unlike typical traveling musicians, Charlie plans to settle in, learn about the local scene, and form a new band, made up of new friends, in each city.

Charlie Faye understands that her artistic truth is achieved through a connection to those around her. Through her new home of Austin, the beloved Wilson Street and unconventional tour schedule, Faye will nurture relationships. Wilson St. is only the beginning.

Hollis Brown Releases Self-Titled Debut Album September 1st - NYC's Hottest Young Band from Queens Rocks on MTV's "College Life"

Nashville, Tenn. - Hollis Brown, Queens, New York's hottest young band, releases their self-titled debut album September 1st on the independent label Vibe Theory Music. A mix of gritty rock and bluesy pop, Hollis Brown is a clear reflection of a band that has become essential to the New York City music scene because of their infectious music and dynamic live shows.

With a sound that is at times retro and at times modern, Hollis Brown is a throwback to artists like Tom Petty and The Rolling Stones, yet they maintain their current appeal with inspired songwriting and relevant lyrics. The band has attracted a devoted following in New York City and in 2008 was selected by Universal/Motown Records as a featured act in its "NYC Rocks" artist showcase. Combined with a recent featured track on the MTV reality show "College Life," appearances at numerous festivals, and sold out shows at high profile venues like The Knitting Factory and Sullivan Hall, Hollis Brown is gaining momentum with quite a buzz.

After attracting the eye of Vibe Theory Music and signing on as its flagship artist in 2008, the band set out to work on their debut full-length album. They teamed up with Jamie Siegel, known for his work with Lauryn Hill on her industry shaking and multiple GRAMMY award-winning album The Miseducation of Lauryn Hill. The result is a record full of hook-soaked pop and dirty rock that drags the listener right into the middle of a packed New York Club.

From radio-friendly hits "Passin' Me By" and "Show Love" to southern-tinged grooves such as "Carolina, Carolina" and "Til the Morning," the album features quality songwriting and crisp performances throughout. The band shows its softer blues side on songs like "Don't Wanna Miss You" and "No More Nights," but then knocks things over with funk-inspired bass lines and riffs in "Bring It Down" and "Completed Fool."

Hollis Brown is made up of Queens natives Mike Montali on vocals, Jon Bonilla on guitar, Michael Wosczyk on bass, and Michael Graves on drums. Having played together since high school, Montali and Bonilla gathered the current lineup together a few years ago and began to hone their songwriting skills and develop their creative chemistry.

There is something distinctly relatable about Hollis Brown's music. Their style of playing has an easy, sing-along vibe and their lyrics range from love and love lost to politics and social commentary. This music is diverse and the epitome of today's New York City; and most importantly, it is fun.

Hollis Brown carved their way into the crowded local music scene with their hometown attitude and garage band appeal. Now, with Hollis Brown, these New Yorkers are poised to share their exciting brand of pop and rock with the world.

Josh Grider Releases Sweet Road to Ride - New Album Captures the Essence of Life on the Road and the Endless Journey of Love

Nashville, Tenn. – Singer-songwriter Josh Grider knows plenty about the roads traveled in life, both literally and figuratively. On his new album Sweet Road to Ride, set for release on October 6th through United For Opportunity, Grider explores the ups and downs that accompany the life of a traveling musician. With a new lyrical outlook and new support in the form of the Josh Grider Trio, this album is the next stop in the journey of Josh Grider's musical evolution.

Following 2007’s critically acclaimed Million Miles to Go, which included the Texas Chart favorite “Crazy Like You,” Sweet Road to Ride captures the essence of life on the road and the endless roads we travel in life. These themes recur throughout the record, delivered in a voice that is at times optimistic, desolate, poignant and innocent. The album was recorded with Mark Addison at Austin's Aerie Studios, allowing Grider to stay true to his Texas roots while broadening his horizons and exploring a plethora of other musical genres.

The Josh Grider Trio is more than a singer-songwriter plus a rhythm section. Comprised of Austin musicians Chris Grady (upright bass) and Jeff Botta (drums and percussion), the individuals that make up the Trio have all contributed to crafting the new direction or, as they look at it, natural evolution of Josh Grider’s sound. Grider’s lyrics are still the sort that stop you short when you fully realize their intensity, but they breathe more easily in the trio format. Musically, the Trio provides the freedom to explore other sounds and ideas, like Latin, funk and jazz, while opening up more space for bluesy improvisation and powerful harmonies.

"Texas music, country music, folk music and rock - it is all American music, and speaks to life in America and beyond, whether you live in Austin or New England or Alaska," says Grider.

From rock, pop and soul to ’70s folk, gospel, blues and even funk, the various stylistic elements Grider uses expands the Texas country and Americana foundation without straying too far from his core Austin sound roots. This playful exploration of styles can be heard clearly in the James Brown inspired “Sometimes,” in the dark, swinging, Tom Waits-ish dirge of “Love Went Wrong” and in the reggae and calypso elements of “Halfway There." The bittersweet road theme is evident in the album’s first song, “Here With Me,” a song Grider co-wrote with Texas legend Walt Wilkins. Says Grider, “My heart is for two things, my family and my music. The road divides it.” This song sets the tone for the entire album. The album’s first single, “Great Divide,” details the struggle between the heart and the mind and sees Grider embarking on the classic struggle of deciding which path to choose.

Josh Grider may not have resolved the inner conflicts of artists and he may not have made clear whether his road is a road of sorrow and loneliness or a road to the top with good times at each stop on the way. What he has done is crafted an album that explores these universal issues, inviting listeners to reflect on their own personal experiences and join him on that Sweet Road to Ride.

Glory Unleashed: Mike Farris and the Redemptive Power of Music - Career Rebirth Explodes with Incendiary Live Shows - Receives "New/Emerging Artist of the Year" Nomination from the Americana Music Association

Nashville, Tenn.—There is music that soothes and satisfies the soul and there is music that saves the soul. There is music—southern, communal, and powerful—that is a sweet balm for the ravaged heart, the broken spirit. This is the music of Mike Farris. It is elemental, essential, and ultimately redemptive. Farris has been winning fans to his vibrant fusion of rock, soul and gospel music since the release of hisSalvation in Lights album in 2007. Word of mouth buzz and rave reviews in publications such as Harp,Billboard, and No Depression stoked the fervor higher, leading to upcoming high profile appearances at Bonnaroo in June, the Austin City Limits Festival in September, and an ongoing Sunday night residency at Nashville’s Station Inn called Sunday Night Shout.

The Sunday Night Shout series epitomizes the wide-ranging appeal of Farris and the testimony he preaches from the stage in his own rockin’ redemptive style. In his own words Farris says the mission ofSunday Night Shout is “to provide musical manna to the hearts, souls, and minds of the good people of Nashville and beyond… Our wish is for every person to leave us on Sundays to go back into the world feeling excited, delighted, and loved.”

What started as a small gathering of musicians and friends has quickly grown into a must-hear event in Nashville. But Farris is ranging further afield as his reputation grows. Music is a calling and a mission and he continues preaching the gospel from the stage throughout the rest of 2008. In addition to Bonnaroo and the Austin City Limits Festival, he appeared at the Blind Willie McTell Blues Festival in Georgia and is looking forward to the Strawberry Festival in California. This fall he will also be opening several dates for Ricky Skaggs and Bruce Hornsby.

Like all great artists, Farris transcends boundaries. His career kicked into hyper-drive after a soul-stirring and poignant rendition of “Green, Green Grass of Home” at the Porter Wagoner Tribute during the Americana Music Conference. Yesterday, the Americana Music Association announced Farris' nomination for the "New/Emerging Artist of the Year." The award winner will be announced at the 2008 Americana Honors and Awards in September. In addition to the Americana format, his music has been embraced by both Triple A radio and the Gospel Music Channel. Music luminaries including Buddy Miller and Marty Stuart are raving about Farris, the former hard rocking frontman for the Screamin’ Cheetah Wheelies. The rock and roll lifestyle led Farris down the dark path of addiction, but music ultimately brought him through the darkness. His recovery and salvation were wrapped up in writing the songs that ultimately formed the foundation of Salvation in Lights.

Farris’ second solo album, Salvation in Lights, is a deeply powerful and personal collection of original and traditional hymns. In addition to the original compositions he wrote for the album, he brought new energy to old standards. The traditional hymns and spirituals he recorded are part of the very fabric of this country. Farris says, "We've taken the music of the long lost deep south, dug it out of America's collective attic and brought it back to life for everyone to enjoy." The album was greeted with great critical acclaim, but it was his rafter-raising live shows that stopped folks in their tracks and began creating converts by the thousands. As word began to spread about the intensity of his shows and the positive energy and joyful noise being created, his renewed career began taking a life on its own. Street teams began forming, then growing. Now there’s a palpable excitement, a spirit if you will, of energy that’s undeniable.

Mike Farris is working out his salvation one song at a time. Come along for a listen and join him on an incredibly journey to a better place.

Rob Blackledge Releases Inside These Walls - Style Network's Hit Reality Show Ruby Features Blackledge Song

Nashville, Tenn. -- Mississippi born, Nashville-based singer-songwriter Rob Blackledge released his debut album, Inside These Walls, on September 15, 2009 through One Revolution Entertainment (ORE). With national attention from a song placement on the hit reality TV show Ruby and the chart success of a song he co-wrote with country stars Love and Theft, this debut release heralds the arrival of an up and coming musician with a natural ability, an engaging audience rapport and a bright future.

Poised to join the world of professional athletes as an accomplished baseball player with scholarship offers and interest from the Marlins, Braves, and Astros, among others, Rob Blackledge decided instead to have his voice heard and his music shared. After graduating high school, Blackledge chose a school in Music City to nurture and polish his raw songwriting talents. Whether on guitar or piano, Blackledge's fresh Southern voice shines and his lyrics dig deep, especially evidenced on the ten tracks featured on his ORE debut Inside These Walls.

An affirmation of his talent, he used a Belmont school talent performance as a jumping off point to help him land a spot on the road with Dave Barnes, an accomplished Nashville-based independent artist. On tour with Barnes, Blackledge traveled around the country in his car, playing about 100 shows in 2006 while developing his undeniable stage presence and building a loyal fanbase. This grassroots venture served as training for Blackledge and he returned to Nashville with a clear sense of purpose.

In 2008, Rob co-wrote the song "Runaway" with rising country stars and friends, Love and Theft. "Runaway," on Love and Theft's World Wide Open album released through Lyric Street imprint Carolwood Records, currently sits at number 20 on the Billboard Country Chart and has been moving up steadily since its debut in March. Rob's skillful songwriting eventually caught the ears of One Revolution Entertainment executives and led to his recording deal. Partnering with Love and Theft's producer Jeff Coplan for Inside These Walls, Blackledge's established relationship facilitated the creation of his own brand of pop which evolved out of his many diverse musical influences.

From the radio-friendly pop lament “Should’ve Known Better” to the emotionally driven “Worth Taking,” Blackledge shows off his innate sense of melody, passionate vocals and musicianship. “Sweet, Sweet Lady” finds the artist invoking his Mississippi blues influences, while “Granola Girl” is a tender ode to his bride to be, wrapped in the sultry blanket of a simple, yet effective reggae groove. With the socially conscious ballad “Our World,” Blackledge implores listeners to create a collective movement towards compassion for all that surrounds us. The song "Everything" will be featured on the Style Network's hit reality show Ruby on September 6th.

With Inside These Walls, Rob Blackledge introduces himself as an exciting new artist on the music landscape; from the Deep South to Music City, Blackledge honors all the musicians he has grown to love while staying true to his genuine talent as a young artist. Nurtured by a dynamic environment, wonderful collaborators, and a contemporary entertainment business model, this record will be the first of many for this bright new artist.

Arena-Ready Rocker Nathan Lee Releases Risk Everything - Appearance on TLC's LA Ink Exposes All-Around Artistic Nature

Nashville, Tenn. - Arena-ready rocker Nathan Lee releases his latest album, Risk Everything on September 1st through One Revolution Entertainment. With a new collection of heartfelt rock anthems, a weekly concert series in Nashville benefiting World Vision and an upcoming appearance on TLC's LA Ink, this multi-faceted artist is ready to turn heads and make a difference.

Although he is now on the verge of releasing his fearless, appropriately titled album, Lee's journey to this point has been filled with many crossroads and career changes. He always came back to music, knowing it was the only thing that could sustain him and allow him to reach people the way that felt best to him.

In 2007, he took up a weekly residence at The Rutledge and it is there that he built his rabid following. "Our audience was pastors and strippers," said Lee of his time at the Rutledge. "I sing to broken people because I am one. I want to write songs that bridge the gap between our differences and bring some essence of healing to what I do."

The buzz around his electric performances resulted in sold out shows and a deal with One Revolution Entertainment, a new multimedia entertainment company. Lee went immediately to work on his latest project with Paul Moak, who has produced, engineered, performed and written songs on numerous gold and platinum records for artists such as Mat Kearny, Amy Grant and Michael W. Smith. The result is an album full of passionate and thought-provoking rock tracks that are impossible to ignore.

Lee kicks off the album with "Open Road," a windows-down, pounding rock anthem. His raspy growl brings an expressive resonance to songs like "El Diablo Y El Angel" and "Bring Down the Fire" as he explores issues of choice and redemption. His ability to blend foot-stomping, heart-pounding music with the intrinsic spirituality of his lyrics allows listeners to join him on his journey from "Broke and Hollow Man" to "Hold Me Down." Living up to its title, Risk Everything is an intimate portrait of an artist who is still searching for the answers.

As someone who has gone from owning a six-figure a year business to being homeless and sleeping in his car, Lee is ever conscious of the fragility of life and the delicate balance of luck and opportunity. This understanding led him to become involved with World Vision's relief efforts and the idea for "Give a Damn Sundays" was born. From July 5th through August 9th Lee will play a weekly show at Nashville's 12th and Porter, with 100% of the proceeds going to World Vision. World Vision will also match all donations at the door, doubling the impact of this initiative.

A rocker to the core, Lee is covered in his own personal narrative. He will share these stories on an upcoming episode of the hit TLC show LA Ink, in which he will add to his tattoo collection with a piece of art created by Kat Von D.

The new album is available on September 1st with a direct to fan pre-sale beginning July 15th. Nathan Lee is a creative force with undeniable talent and a huge heart. With his determination to touch people in all facets of his music, from the raw intensity of his live performance to the international imprint of giving, Lee continues to live by his self-imposed Risk Everything challenge.

Ryan Delmore's The Spirit, The Water, and the Blood Debut Album Released

Nashville, TN--Traditional music genre labels cannot fully communicate the wide footprint that many records leave these days and contemporary audiences will not be pigeonholed, now that the power of new music discovery and the ease of new music delivery are at their fingertips. It is not unusual to see record collections featuring a wide variety of acts as audiences' tastes grow more varied and adventurous as a result of the increased options available to them.

Singer and songwriter Ryan Delmore is making his debut album release on Varietal Records with The Spirit, The Water, and the Blood, a unique collection of gospel music that would sound equally at home on AAA or Americana radio. This record eludes consumer classification and should be exempt from the record business retail rules of genre distinction. Those with progressive ears will not be disappointed.

With a roots-rock soul, Delmore's sound harkens back to the music of artists like Tom Petty, Bob Dylan, and Neil Young. The album is a tapestry of country, rock, gospel and folk, a blend of roots to honor the most praised muse of the ages. Produced by Chris Lizotte, Delmore's first album is both a tribute to his musical influences and his faith.

Though there is no doubt that The Sprit, The Water, and The Blood is a gospel record, the album's impetus is pure affection and the eleven tracks are intimate love songs with a familiar roots twang a la Ryan Adams circa Whiskeytown. The Spirit, The Water, and the Blood invites listeners to sing along with his poetic yet simple melodies, lyrics around universal themes that provide a common ground for all audiences.

The candid delivery will appeal to fans of singer-songwriters who present truth as they know it, everyman sentiments, regardless of religious belief. These gritty and raw recordings feature fellow rough-hewn traveler, famed guitarist Marc Ford (The Black Crowes, Ben Harper and Ryan Bingham). Marc's wife, Kirsten Ford, offers haunting harmony vocals on multiple tracks such as "Provide For Me" and the ballad "Teach Me All Your Ways." Delmore's own ragged vocal delivery amp the level of raw and urgent yearning for redemption to a deep, penetrating level of personal revelation and honesty.

Delmore has already written and recorded several songs for Vineyard Music such as, "Better Than Life," "Set Me on Fire," and "Let It Come." He lives with his wife Sarah and their four children on the central coast of California. He tours on occasion and he has enhanced his CD with printable chord charts and lyric files to invite others to play and sing along. Songs from Ryan Delmore's The Spirit, The Water, and the Blood are available for preview on http://ryandelmore.com.

Female Folk Supergroup Sometymes Why Releases Your Heart is a Glorious Machine - Second Release Showcases Sirens Vocal Talent

Nashville, TN - Three beguiling female musicians Aoife O'Donovan, Kristin Andreassen, and Ruth Ungar Merenda, together known as Sometymes Why, will release their sophomore record Your Heart is a Glorious Machine on the venerated Signature Sounds Recording label. The album will be unveiled on March 10, 2009, building on the success of their self-titled release in 2006. The seductive incantations offered on their newest release seizes listeners and continues to widen the spell cast on audiences since Sometymes Why's inception in 2004.

Your Heart is a Glorious Machine picks up where the debut recording left off musically and the trio's magic vocal blend is omnipresent. What began as casual harmonies while touring on the same bill, Sometymes Why has grown into a band all their own, modern sirens hypnotizing audiences the globe over. Your Heart is a Glorious Machine also showcases the maturity unfolding in these complex and vibrant women in the midst of a folk renaissance.

Sometymes Why members, both as a group and individually, have nurtured international success, garnered critical accolades and have inspired a loyal following. Each of the women play a major role in other contemporary folk and bluegrass bands: Crooked Still (O'Donovan), Uncle Earl (Andreassen) and The Mammals (Merenda). The collaboration makes Sometymes Why a supergroup to those who have been paying attention to the recent folk movement. These artists and their collaborators are prodigious contemporary musicians, vaulted by tastemaker publications such as No Depression and London's Sunday Times who credit them with a modern folk and string band revival.

Sometymes Why's music is not strictly folk or alternative bluegrass; more akin to Jenny Lewis or Feist than their other projects, the trio weaves funky standards with their own sensual ballads to create a sound all their own. The women refuse to be classified by their voices or by outdated feminine mores and the songs explore pansexuality through the palpable texture of their lush harmony work. Following in the footsteps of strong folk females, the captivating energy comes simply in the chorus and confidence of delivery. Their stripped-down treatment is evident on the album's single, "Joey." Made popular by Concrete Blonde in 1990, Sometymes Why's cover is aching, and desires to charm the antagonist down the path of recovery.

Known for seducing audiences with their live performances, the songs on Sometymes Why's Your Heart is a Glorious Machine have an ethereal quality that allows the femme fatales to take center stage. The album, produced by José Ayerve (Winterpills, Spouse), was recorded in Dreamland Studio, just outside of Woodstock, New York. The studio is a storied location in upstate New York and is quite different from the DIY tone of their debut recording Sometymes Why. Despite the new studio location, much of the album is loyal to the stage performance of Sometymes Why.

In the future, the women will continue work and foster future collaborative energies, a dynamism the trio finds most rewarding. In 2009, Sometymes Why will take to the road and perform nationwide to support Your Heart is a Glorious Machine.

Spring Creek, Rebel Records' Hottest New Band, Release Way Up on a Mountain Quartet Showcases Tailored Blend of Bluegrass and Contemporary Style on New Album - Band Invited to Appear at 2009 World Of Bluegrass Conference!

Nashville, TN - Since forming five years ago, Spring Creek has emerged as the hottest young band among the newest generation of pickers in the Rocky Mountain bluegrass scene. In 2007, the Lyons, Colorado-based foursome rocketed onto the national stage when they became the only group to ever capture the band competitions at the Telluride and RockyGrass Festivals in the same year. Since those celebrated wins, the band has toured extensively, solidifying their status as lively and skillful performers. Spring Creek signed with Rebel Records last fall and will be unveiling their label debut, Way Up on a Mountain on May 5th.

Way Up on a Mountain projects a sound that derives its inspiration from the soul of the Rocky Mountains but maintains its footing in the Appalachian hills and piedmont of the bluegrass heartland. Drawing from the same creative wellspring that produced traditional bluegrass bands such as Hot Rize and Open Road, the album bursts with a freshness that is guaranteed to earn Spring Creek a spot among Colorado's bluegrass innovators. Equally, Way Up on a Mountain demonstrates the band's keen mastery of traditional bluegrass and their deep respect for its Appalachian origins. The resulting product is a sound that is both traditional and original, daring yet indebted to the forefathers of bluegrass. Way Up on a Mountain is certain to win the hearts of listeners in the bluegrass heartland as well as those of the genre's ever-broadening fan-base worldwide.

The album's content flows just like a spring creek should: a perfect blend of fast and slow currents. On "Another Lonesome Night My Dear" bassist Jessica Smith delivers resonant, heartfelt vocals over fast-paced string interplay, while banjo player Chris Elliott contributes a smooth baritone harmony on the chorus. The following track, "Tangled in the Pines," moves at a much slower pace complemented by measured, mournful vocals and blues-tinged Dobro riffs. Throughout the album mandolin player Alex Johnstone, guitarist Taylor Sims and Elliott provide deft, tasteful instrumental leads. The eight original compositions feature candid lyrics that balance customary bluegrass with contemporary themes. Additionally, the album features material by Ricky Nelson and Bill Monroe - the homage to Monroe highlighting Spring Creek's respect for the legends of bluegrass. IBMA award-winning fiddler Michael Cleveland contributes his masterful work on several tracks.

Prior to Way Up on a Mountain, Spring Creek released two independent albums, Rural & Cosmic Bluegrass and Lonesome Way to Go. The track "High Up in the Mountains" off of the former won an Independent Music Association's Vox Populi Award.

In support of Way Up on a Mountain, Spring Creek will spend 2009 performing at festivals and venues nationwide, including stops at the prestigious MerleFest in Wilkesboro, North Carolina and Old Settlers Festival in Austin, Texas.

Jeff Black Returns With Fresh Format For His New "Black Tuesdays" Podcast Season

Nashville, TN - Jeff Black, singer, songwriter and host of "Black Tuesdays" is returning from his hiatus to re-launch the podcast series under a new format on December 2, 2008.

"Black Tuesdays" will now be offered through a new blog platform, which will provide exclusive multi-media content on a monthly basis. For a small fee, paid subscribers will have access to a variety of online features including exclusive tracks, video, and opportunities to participate in the creative process with Jeff in the coming year.

Artists making the decision to distribute their creations independently and using social networks and widgets to allow them to connect directly with fans are becoming commonplace in today's digital environment. Furthermore, in an environment that is noisy, crowded and hard to penetrate, it is an oasis to have technology available that if adopted, can offer artists sustainability for their creations in ways never before imagined. That same connectedness empowers fans to become honored sponsors in how artists make and release new art, and they are rewarded with a co-pilot's perspective along the way.

Jeff Black, a charismatic artist who is always seeking to connect with fans through new venues, faithfully hosted his podcast every week in 2005-2006. "Black Tuesdays" ran an average of 30 minutes long and included atypical takes of songs, clips taken from live performances and unreleased demos. Soon after launching his podcast and releasing his album Tin Lily, Black commented, "I write songs and perform because I want to share my music. 'Black Tuesdays' is a new way for me to connect with people. To have an outlet like the podcast that works quicker and so much cleaner than the old machine allows me to capture the urgency of a new idea and turn it loose. Working with this framework puts me and the people who like to listen to my music in the captain's chair."

"Black Tuesdays" was featured on National Public Radio's "All Things Considered" soon after its launch and declared by iTunes as "New and Notable." In 2006, his music was selected to enhance the mood, texture and emotions of the award-winning drama, Steel City, which starred Ugly Betty's America Ferrera. One of the producers of Steel City, Rusty Gray, said, "Jeff's music is heartfelt, honest and lean, not overproduced." He went on to say, "It is haunting and it intensifies the subtle subtext in the actor's performances." Variety magazine singled out Black's contribution to the film, recognizing Black's ability to "produce emotionally charged songs that were abundant with imagery, and engaged the listener's mind and heart."

Billboard compared Jeff Black's piano ballads to Randy Newman's, and his rock songs to Bruce Springsteen's. They also wrote, "Black is an artist of substance." Paste went on to say, "the search for spiritual sustenance and lasting meaning underpins Black's reverent, battling-the-darkness-and-winning songs." In addition to releasing solo albums for more than ten years, Black, a stalwart troubadour, has built a dedicated following of fans on the road through his ambitious tour schedule.

His new season of "Black Tuesdays" will include pre-production recordings from his upcoming 2009 releases and special guests are promised. There will also be an opportunity for fans to collaborate with Black right on the air. Visit www.jeffblack.com for more information about "Black Tuesdays."

Corey Crowder, Young MySpace Star, Delivers Rich, Mature New Roots Rock Album - Gold and The Sand Set for National Release on November 11 - "Leaving You" picked up for this week's episode of One Tree Hill

Corey's previous two self-produced, independent recordings consisted of songs he'd written and collected since his teenage years and their release modeled a contemporary musical success story. Those early songs were played over five million times on his MySpace page alone after being featured on prime-time television shows. The Biggest Loser, One Ocean View and a particularly audience swelling season-ending scene on MTV's The Real World all featured Corey's music from these early independent releases. Extensive touring across the continental United States added to his musical reach and acceptance. That same audience eagerly anticipates hearing Corey's newest self-penned tunes on Gold and the Sand. These songs, enriched with a newfound maturity and a musical excitement born from fresh creation, will help Corey grow his base of support and find an even larger audience.

The songs on the new CD, richly-textured, varied songs of contemporary love, life hopes and realities, are Corey's most personal and mature in content, focusing on the large life questions and course corrections so typically faced by young adults in their mid-twenties. The point of view is sometimes searching, sometimes skeptical, and often pointed, as in "Innocence," the song from which the album title is taken - a depiction of how the pursuit of status and money can consume peoples' lives.

The sonically varied tracks feature Corey's engagingly confessional and distinctive lead vocals, but then they take a route precisely opposite from typical "stripped down" solo-guitar-strumming, singing-songwriter outings to deliver these deep personal stories. Rich with horns, strings, and a road-tested four member rock band (with whom Corey's been working closely for several years) the album's sounds often hearken back to the thick soul production of '60s and '70s album tracks by Al Green or Van Morrison, and the straight-ahead roots rock of Creedence.

Corey is now a contract writer with EMI as well as a recording and touring artist; he and his wife relocated to Nashville from Greenville, SC, in July. In support of the new CD, he will be appearing, along with his band, in a series of dates across Texas in November with appearances in the Southeast to follow.

Autumn "Falls" with a Velvet Sky on October 7th - Reunites with Producers Walt Wilkins and Tim Lorsch for Sophomore Release

Nashville, Tenn. - Singer/songwriter Autumn Boukadakis reveals a grittily earthy and yet somehow remarkably polished sophomore release, Velvet Sky, on October 7, 2008 via her own imprint Ghostlight Productions. She once again teams with producers Walt Wilkins (a Texas legend in his own right) and Tim Lorsch, who oversaw the recording of her 2006 breakthrough album Sugarcane.

Autumn officially unleashes the raw, natural beauty of Velvet Sky with an album release party on October 1 at One World Theater in Austin, Texas. Having just returned home from her UK debut and wrapping up a September Austin residency, Autumn will be at the top of her game.

The new release finds the Austin-based songwriter hitting her artistic stride. Autumn wrote seven of the songs on the album, while Wilkins contributed four. There's also a galvanizing cover of Patty Griffin's "Nobody's Crying." This new song cycle takes an unflinching, eyes-open look at life, love, loss, joy, pain and all the crazy feelings in-between. Emotionally charged and deeply poignant, the quality of the songs is matched only by the stellar musicianship of Autumn's supporting cast.

She's joined on the track by a veritable who's who of Americana and folk musicians including her producers, Sam Baker, Danny Flowers, Fats Kaplin, Dave Jacques, Mike Daly, Mickey Grimm and more.

An assured step forward, . Velvet Sky is sure to shine the spotlight more brightly on a career that continues to gain momentum. In addition to music training that began with piano at the age of 7, she also graduated from the University of Texas with a degree in Classical Piano in 2004. But it may be her time as the female sidekick on the No.1 rated "JB and Sandy Morning Show" on 94.7 KAMX Austin, that best prepared her for the demands of a recording and touring artist. She spent six years with the show. Having been on the other side of the microphone, she understands the importance of personality, energy and a sense of humor. Fortunately she was blessed with an abundance of them all.

Talent runs in the family and her brother, Joey, is a budding screenwriter and filmmaker who himself is celebrating a career milestone. He just signed with MGM to write the remake of Back To School. He also created Autumn's first music video.

In Autumn, we have an artist that showcases the skills that have the music world abuzz - drive, determination, passion, and an instinctive gift for capturing the most interesting details of life and transforming them into great songs.

There's a new star going nova under a Velvet Sky. Enjoy the fireworks.

Acoustic Aficionado and Songwriter Monte Montgomery Returns with Self-Titled Release

Nashville, Tenn.— Austin-based guitar-slinger and songwriter Monte Montgomery will once again turn the music world on its well-tuned ear with the release of his self-titled seventh studio album on September 30th on Eminent Records with distribution through Thirty Tigers/Sony RED Music.

Named as one of Guitar Player Magazine's "Top 50 All-Time Greatest Guitarists" and the only artist to win the "Best Acoustic Guitar Player" at the Austin Music Awards seven years straight, Monte Montgomery is world-renowned for his dizzying fretboard wizardry. Guitar hero status aside, Montgomery is also a multi-dimensional songwriter and storyteller as well as a talented arranger and remarkably soulful vocalist. He is one of the very few living guitar gods able to synergize technical shredding with deep soul connection in his songs and performances. Austin City Limits producer Terry Lickona describes the musician perfectly, "Monte Montgomery blows people away. There is no other way to describe it."

On his self-titled release, Montgomery tastefully demonstrates a guitar flair that is mind-blowingly technically proficient without sounding overbearing, self-absorbed or pretentious. Occasionally percussive yet always fluid, Montgomery's high-speed, vicious fingerpicking attack is beautifully accented by deftly placed harmonics, hyper speed fretboard work and neck bends. With the vertigo-inspiring swoops and dives, most are amazed when learning that this is an amplified acoustic instrument and not a Stratocaster. But what completes the six-string driven energy is the strength and depth of Montgomery's storytelling and emotive, affecting vocals.

Monte Montgomery is a collection of love songs and straight-out rockers, where the artist is the author of 11 of the album's 12 tracks. From the opener, the swampy, slippery, slide-driven "River" to the beautiful, well-orchestrated "Love's Last Holiday" through the album's closer, the well-crafted, dark "Midlife Matinee," Montgomery exhibits his obvious songwriting chops, melding Motown soul with modern rock and holding onto enough twang to enrapture any Texas Music adherent. Montgomery is solidly backed by the rhythm section of David Piggott on bass and Phil Bass on drums and the addition of guest Reese Wynans (organ) on the Latin-tinged "Moonlight Tango" and the funky, jazzy "Could've Loved You Forever."

Praised as highly for jaw-dropping live interpretations of the songs of his heroes Lindsey Buckingham, Mark Knopfler and Jimi Hendrix as he is for his original compositions, the lone cover here is the 10-minute-plus tribute-opus of Hendrix' "Little Wing," where Montgomery channels the spirits of the string gods. With the current industry trend to over process and create cut-and-pasted music, "Little Wing," as well as the entirety of Monte Montgomery was recorded live in the studio with no overdubs. This record was accomplished with GRAMMY™-nominated engineer Rob Clark and produced by John Billings. According to Montgomery, "…some very clever mic placement techniques from Rob and John enabled us all to set up in the same room and just play each song straight through."

If YouTube is where today's stars are showcased, Montgomery is again in a class by himself. With millions of views of his fan-recorded videos, he's a star on the Internet already. This coupled with a multitude of devoted fan sites and tributes from his devotees, the "Montiacs," and a rigorous touring schedule which will place the musician in over 150 international cities this year, Montgomery is showing one convert at a time that it's still all about the live performance. As the LA Times puts it, "The bottom line; don't miss a chance to see and hear Monte Montgomery. He is a legend in the making. Astounding, unforgettable raw passion and artistry at its finest."

Not since Joe Satriani and fellow Austinite Eric Johnson in the early '90s has a guitarist broken through to the masses. It's about time for a guitarist's guitarist to return to the mainstream fold. Monte Montgomery is poised to make that leap.

Brooklyn Americana Band Yarn's New CD, Empty Pockets, Blends Songs of Heartbreak and Defiance with a Sunny Disposition

Brooklyn Americana Band Yarn's New CD, Empty Pockets, Blends Songs of Heartbreak and Defiance with a Sunny Disposition Caitlin Cary, Edie Brickell, Tony Trischka and Casey Driessen guest "I'm two sheets to the wind," a rejected would-be lover announces on the upbeat title track on Empty Pockets, the second independent recording from Brooklyn-based Americana quintet Yarn, set for release on September 23, 2008, "and I'm callin' on the bar again."

Edgy, straightforward, occasionally defiant songs of life's personal losses, outrages, and embarrassments, warmly delivered with a homey, good-natured, "whatcha gonna do" musical embrace—that's not a combination commonly heard on many roots rock, alternative country or old school country string band records. But that's the lyrical heart and textured, skilled instrumentals that mark Yarn's harmonious, winning new song set. "Yeah, we may be in a sunny groove," says the band's lead singer and songwriter Blake Christiana, "but when you pay attention to what we're actually talking about, it may be kind of heartbreaking."

Several who've been paying attention to the rising band jumped in to join in on the music, often after just one Yarn encounter. Empty Pockets features affecting fiddler and vocalist Caitlin Cary (of Tres Chicas; Whiskeytown), "New Bohemian" Edie Brickell (harmony vocalist on the lazy ballad "I'm Down"), bluegrass and rock fiddle wizard Casey Driessen (of the Sparrow Quartet) and veteran newgrass banjo virtuoso Tony Trischka.

Yarn's first album, a self-titled record released in 2007, reached #14 on the Americana Music Association's Top 40 chart. Since the release, the band, which features Trevor MacArthur on guitar and harmony vocals, Andrew Hendryx on mandolin, Rick Bugel on bass, and Jay Frederick on percussion, has developed a passionate following up and down the East Coast, and on some side trips to Nashville. The band formed in the spring of 2006 as both an evolution and a break from Christiana's long-lived jam-centered electric band, Blake & The Family Dog. Electric instruments sometimes appear in Yarn's live shows, but this band focuses first on energetic acoustic instrumentation. As the band's name, which references both the handmade and the saga, reflects on crafted, storytelling songs.

Yarn may be a city band that gelled into the harmonious unit it has become. The process took place in hard-working, regular landmark stands of New York clubs, including Kenny's Castaways and Hill Country. There's a lot of Gram Parsons-inspired county soul in the songs they deliver, from the hard honky-tonk of "I Feel So Low" to the Whiskeytown-channeling, alt-country tones of "Christopher Street," to the exuberant string band pyrotechnics of "Can't Slow Down."

Knitting together the band's distinctive tone are Christiana's smooth, controlled, and expressive lead vocals, which reflect an unmistakable core toughness for all of their polish. The vocals put Blake right in line with a group of singers he admires and is receiving comparisons to in early reviews - Chris Isaak, Lyle Lovett, Ryan Adams, Rick Nelson - or Jerry Garcia in his Old and In the Way string band vocalist mold. And Andrew Hendryx's fluid, contemporary mandolin stylings add to the "old and new, flinty but friendly" Yarn tone across their varied song set. The addition of fiddle, dobro and lap steel on Empty Pockets adds instrumental breadth.

"We're not trying to say anything too deep," Blake Christana says, of the yarns spun on Empty Pockets, "though maybe some are deeper than others! Mainly, these are just some easy-to-swallow songs. We mean to entertain people."

Mark Erelli to Release Seventh Signature Sounds Record, Delivered

Nashville, Tenn. - Singer-songwriter Mark Erelli releases his seventh Signature Sounds release, Delivered, on September 16, 2008 and begins a summer tour with appearances at the nation's most prestigious live acoustic venues. Recently compared to John Hiatt and Ron Sexmith by The Washington Post, Erelli expresses the maturity that goes along with adulthood and fatherhood on Delivered. The result is an album that gracefully manages rebellion and responsibility, and reconciles the two opposing poles in Erelli's own life.

Since 2006's critically acclaimed Hope & Other Casualties, Erelli has achieved much in his personal and professional life - welcoming a son and touring in support of Lori McKenna as part of Tim McGraw and Faith Hill's "Soul 2 Soul" tour. The maturity that comes with becoming a new father and the focus achieved from a self-imposed recording hiatus are evident on the eleven tracks of Delivered. With a distinct nod to family, the release ranges emotionally from tales of simple pleasure and exaltation to heartbreaking stories of patriarchal and nationalistic responsibilities. In the modern world, Erelli has a firm grasp on what is truly important in his life but refuses to remain circumspect in his art or expression.

In "Volunteers" and "Hope Dies Last," Erelli delicately paints portraits of the strife in today's world, both at home and abroad. Although the subjects are painful, the overall tone on Delivered is that of hopeful realism and a providential faith. "But of all that comes to pass/Hope dies last." "Volunteers," the album's standout track, is a devastatingly honest account of a soldier fighting in Iraq. Stripped down, naked, the track describes the "wounds that you can't see" and demonstrates new respect for life in a war-torn country. The song touches on the paradox of being a hero at home and enemy to Iraqis, while focusing on staying alive and shouldering the burden of war. "And if you find I've fallen after all the smoke has cleared/Let the record show, I volunteered."

Every track on the record illustrates with beautiful simplicity the well-crafted "intimate masterpieces" (The Boston Globe) listeners have come to expect from Mark Erelli. Delivered features polished production, raw sentiments and a gritty and heartfelt lyrical quality. Erelli presents a masculine and frank account of realizing maturity in his world of yellow ribbons on the door and baby blankets in the crib at home. The record's edges are softened throughout by the appearance of Crooked Still and Sometymes Why's Aoife O'Donovan on backing vocals. The instrumentation ranges from simple, sparse acoustic guitar on "Not Alone" and "Volunteers" to the elaborate orchestration of "Man of The Family," where Erelli brings in horns and electric guitar. Delivered accurately combines Bob Dylan's socially conscious folk and Ryan Adams' rock sound, presented with a musical tapestry of songwriting influences.

Striding defiantly outside of an industry laden with contrived and formulaic music, Mark Erelli has created an album of songs with an unparalleled resonance. Both commercially viable and a testament to the power of music to express and chronicle the times, Delivered is a record that reiterates Mark Erelli's narrative talents and solidifies his reputation as one of his generation's most relevant lyricists.

The Youngers Discover Their Heritage

Nashville, Tenn.-- Pennsylvania-based roots-rock band The Youngers boldly stake their claim as one of the most promising and vital bands in America with a stunning new album due out this fall, followed by a North American tour in support of the album.

Lead singer/songwriter/guitarist Todd Bartolo funnels the vibrant energy of a hard-charging, up-and-coming rock band through the sieve of his disparate influences. At times country, at times rock, the music is always spot on and informed by some of the great storytellers of American songwriting tradition including Springsteen, Neil Young and Gram Parsons. But while he has an ear open to what came before, he never plants both feet in the past. He confidently pushes the country-rock cannon forward by honoring his mentors without imitating them.

When it came time to cut the new album, the band turned to producer John Carter Cash (only son of the legendary Johnny and June Carter Cash). They recorded at the historic Cash Cabin studio in Hendersonville, Tenn. The result is Heritage, due out Sept. 9, 2008, on the band's own Obuck Records.

Bartolo and his Younger cohorts Randy Krater (Bass and Vocals) and Justin Schaefer (Drums and Percussion) land in that sweet, almost-impossible-to-find intersection of the past and present where old and new combine to create the extraordinary. When it works, as it does here, the results sound at once strangely familiar and still progressive.

The Youngers were joined on Heritage by an all-star supporting cast including John Carter Cash (Percussion), Laura Cash (Fiddle), Ronnie McCoury of The Del McCoury Band (Mandolin), and legendary Waylon Jennings' pedal steel player Ralph Mooney. James Harton (Hammond B3, Piano) and former Younger Jesse Nocera (Guitars) also joined Bartolo and company in the studio.

This new collection swirls with chiming guitars, strident vocals and intuitive storytelling. From the opening, sing-along anthem "Heartbreaker" to the closing down-beat epic "Downtown," The Youngers capture the heartbreak, hopes, dreams, despair and joy of a new generation. And tapping into universal themes that everyone has experienced and conveying them in a way that resonates with their peers is what Heritage is all about.

The band kicks off an impressive fall tour in support of the new album on September 5 in New York City before moving on to stops in Chicago, Atlanta, St. Louis, Nashville and points in-between. Updated tour listings can be found at the band's website: www.theyoungers.com.

Singing from the past. Singing to the future. Most importantly…singing in the now. That innate ability to capture life unfolding separates The Youngers and HeritageTrey Anastasio, Don Hart And Orchestra Nashville Debut Time Turns Elastic At September 27th Season Opener At Ryman AuditoriumTrey Anastasio, Don Hart And Orchestra Nashville Debut Time Turns Elastic At September 27th Season Opener At Ryman Auditorium Co-composed By Anastasio And Hart, Time Turns Elastic Continues Orchestra Nashville’s “Music Without Boundaries” Mission

Nashville, TN – On September 27, 2008, Orchestra Nashville and Trey Anastasio will give Time Turns Elastic its debut performance at the orchestra’s 2008-2009 season opener at Nashville’s famed Ryman Auditorium. Co-composed by Anastasio and Orchestra Nashville Composer-in-Residence Don Hart (who also orchestrated the piece) and conducted by Music Director Paul Gambill, Time Turns Elastic is a groundbreaking work for vocals, electric guitar and orchestra. Known for his role as Phish’s lead guitarist/frontman and for his adventurous solo works, Anastasio first teamed with Hart and Orchestra Nashville (then known as the Nashville Chamber Orchestra) for his June 2004 performance at the Bonnaroo Music & Arts Festival. Conducting them through a special set of material from his album Seis De Mayo, they gave the crowd of 80,000 rock fans a riveting introduction to “new classical” music.

Time Turns Elastic is the centerpiece of the writing Trey has been doing over the past 18 months while he’s been off the road. With long, orchestral passages intertwined with epic guitar lines and vocals, the piece is in the vein of such classic Anastasio compositions as "Divided Sky," "Guyute" and "You Enjoy Myself." For nearly a year, Hart, who also collaborated on Anastasio’s 2006 album, Bar 17, commuted between his home in Nashville to Saratoga, NY to work with Trey on Time Turns Elastic.

"I’ve never come close to the collaboration I’ve had with Don Hart," says Anastasio. "A lot of work done on this piece is conceptual conversations. It's a true collaboration." Anastasio also realizes the value of Orchestra Nashville's instrumentation to tell a story and give Time Turns Elastic its warranted weight. "The common ground is in the dream and the vision, all of us are interested in getting beyond boundaries. Don and I talk about writing emotional content, and there are certain emotions that can only be called out of an orchestra."

With Anastasio’s electric guitar at the forefront, Time Turns Elastic pushes the limits of orchestral music and delivers a complete articulation of Orchestra Nashville’s mission to integrate disparate musical styles that challenge and inspire audiences. “Most of the time when people use an electric instrument with an orchestra, they destroy the capability to blend,” notes Anastasio. “Our approach is to handle it as any other solo orchestral instrument. I play at the volume of say, an oboe, so Don can orchestrate around the guitar.”

That the premiere of this landmark project will be at the Ryman Auditorium, the mother church of country music, seems unlikely on the surface, but makes perfect sense when one considers Orchestra Nashville’s international reputation for commissioning boundary-breaking, ear-bending music.

Saturday, September 27th, 2008
Ryman Auditorium
116 Fifth Avenue North
Nashville, TN 37219
Doors 7:30pm, Showtime: 8:00pm
Tickets go on sale Friday, July 25th at 10:00am (Central Time)
Tickets are $45.00, $35.00 and $25.00 Reserved Seating. This is an all ages show. Tickets will be available at the Box Office, select TicketMaster outlets, online at www.ticketmaster.com, or charge by phone at 615.255.9600
Tickets will be available through a real time presale beginning Friday, July 18th at 10:00am (Central Time) and ending Thursday, July 24th at 5:00pm (Central Time) at http://treytickets.rlc.net
Venue general information number: 615.889.3060
Venue website: http://www.ryman.com/

Crooked Still Celebrates Critically Acclaimed New Release, Debuts New Line-up

Crooked Still, Still Crooked: Maybe the most cohesive of the Boston dark-folk/bluegrass band's three excellent albums -- chilling and otherworldly, what fantasy writers like to call "eldritch."
- Ken Tucker, USA Today

Nashville, Tenn.— Signature Sounds recording artist Crooked Still releases their highly anticipated third album, today June 24th, titled Still Crooked. A world tour to support the record will follow. The band, made up of founding members Aoife O'Donovan, Greg Liszt and Corey DiMario, along with two new players, presents fluidity across musical genres: old time, folk, bluegrass and world music, on all of their recordings. Journalist Greil Marcus recently recognized the worldliness of their capability in Interview Magazine, "The songs to which Crooked Still applies itself were made to capture whole countries of experience, fantasy, forgetting, revenge, guilt and escape...The band takes up the songs as if they contain knowledge far beyond any person who might sing them."

Crooked Still is an energetic band who thrive from their collective and collaborative energies. After five years together, the departure of Rushad Eggleston forced Crooked Still to amend their ensemble. Moving from a quartet to a quintet, two new members join the group, Brittany Haas on five-string fiddle and Tristan Clarridge on cello and second fiddle. Crooked Still drew inspiration from the new, raw creative energy when recording their third record, Still Crooked.

The band, determined to capture the magic moments of inspiration that happen during live performance and musical exploration, recorded the album “live” in a large room together. In a world of computer-altered music, the band wanted to create a sincere album that respects the musical roots from which their sound stems. After three days of intense rehearsal, the ripening of the new Crooked Still took place. Producer Eric Merrill captured the songs on the album in one day, the fourth day of the new line-up.

Major players in what is being touted as a "folk revival movement" in both No Depression and The London Times, Crooked Still is singled out as an ensemble who records songs steeped in history, sometimes with such seminal works that go all the way back to oral tradition, all the while delivering them with a modern freshness that demands attention. A testament to their abilities is repeated invitations to participate in classic American music festivals such as Newport Folk Festival, Merlefest and Telluride Folk Festival. Lauded in the foreign press and regular performers on the international festival scene, Crooked Still has a global and ever-growing audience.

The release of Still Crooked cements their reputation as a vital, young band that dances around the tenets of musical genres with acoustic instrumentation of fiddle, banjo, cello and bass. Central to the music is the haunting voice of Aoife O’Donovan, a captivating songbird whose vocal inflection taps into the pathos of the human experience. Songs on the album range from sedate to raucous. "Did You Sleep Well?" is a fast paced and sassy tune while "Captain, Captain" is an over four hundred year old song with hauntingly applicable contemporary lyrics. Every one of the thirteen tracks features virtuosic playing, insightful vocal delivery and clever rhythms.

Crooked Still merges classical, traditional and modern American styles and raises the bar of dynamic musicianship. They are a blended musical family, whose influences - ranging from iconic folk to modern hip-hop and funk - coalesce into a modern musical hybrid played on classical instruments. “We’re a groove-based band without a drummer,” O’Donovan explains. “We push the beat, staying true to the tradition while we bring old songs into the 21st century.”

Crooked Still Website
Crooked Still eCard

Corinne West Announced As Finalist For Indie Acoustic Project Best Of 2007

Singer/songwriter Corinne West's self-released 2007 album, Second Sight, has been selected as a finalist for the The Indie Acoustic Project's "Best CDs of 2007" Award. West shares the honor with "Acoustic Ensemble" category-mates Darol Anger & Mike Marshall and Storyhill. Winners will be announced on April 30, 2008.

West released Second Sight to wide critical acclaim in October 2007. Produced by IAP finalist Mike Marshall, the album features the world-class talent of Jerry Douglas, Darol Anger and Tony Furtado joining West and fleshing out her potent songs.

West, currently on a month-long tour of the United Kingdom is featured in the April 2008 issue of Maverick magazine. Her overseas appeal is anchored by BBC legend Bob Harris, who began featuring West on his radio show in 2006. Fans across the ocean fell in love with West's eclectic mix of folk, rock, bluegrass and Americana.

Few songwriters deliver both the artistic integrity and popular commercial appeal that are hallmarks of West's music. It's a one-two punch that solidified her reputation as one of the most successful songwriters to emerge on the Americana scene in the past few years.

Suzy Bogguss Offers Blueprint For Musical Success In the Digital Age

Appears in National TV Commercial, Builds Relationship with Prairie Home Companion, Joins Tour

Nashville, Tenn.- Talented singer/songwriter Suzy Bogguss is blazing a new path with her music and her career. In this post-digital, iPod-fueled musical landscape, she's driving CD sales and selling concert tickets the old fashioned way - by building relationships. It's a blueprint for success that includes interacting with her fans through her website, aligning herself with meaningful sponsorships and forging bonds with like-minded musical luminaries such as Garrison Keillor and the folks at A Prairie Home Companion (PHC). Her latest CD Sweet Danger earned rave reviews when it was released last fall and led to several appearances on A Prairie Home Companion. The relationship between the sweet-voiced singer and PHC continues to grow stronger with her recent invitation to join the PHC Rhubarb Tour 2008 for 17 shows in 21 days this August and September.

A savvy business woman from her earliest days on the coffee-house circuit, Bogguss has always had an innate knack for building relationships and creating mutually beneficial marketing partnerships. She continues to add to her promotional arsenal through national media appearances and sponsorships. The buzz around Sweet Danger began because of Bogguss' fearless exploration of the boundaries of jazz, folk and country. The buzz continues to grow because of her willingness to diversify the ways she gets her music in front of a national audience.

That includes a stellar appearance on Good Morning America on Jan. 1, 2008 and a national media campaign as spokesperson for SinuCleanse, the innovative Neti Pot nasal washing system that provides relief to those suffering from sinus problems. The campaign features a TV clip with Bogguss singing her own composition "One Clear Moment" from the Sweet Danger CD, and singing the praises of the benefits she's received from SinuCleanse. The commercial is set to air beginning March 31 in 18 major markets, and will introduce her music to an audience that might never otherwise have heard it.

Fearless in making her music, fearless in marketing her music - Suzy Bogguss is successfully navigating the waters of the digital music age. The doors that continue to open for her are testament to her boundless energy, unflappable spirit and wildly creative nature. It's proof that great music and great musicians are as vital as ever, no matter how they get their music to their audience.

Angel Band Takes Flight With Roots & Wings on May 27

Trio of Amazing Singers Release Lloyd Maines Produced Album

Nashville, Tenn.- The aptly named Angel Band features soaring, angelic three-part harmonies from three amazing singers - Nancy Josephson, Jen Schonwald and Kathleen Weber - each possessing a powerful, expressive voice that would make her the lead vocalist in any other band. Their sound is grounded in world-class musicianship, inventive and original songwriting and an irresistible mission to have and share a great time. That's evident on their sophomore CD, With Roots & Wings, due out May 27 on Appleseed Recordings. Legendary producer and pedal steel player Lloyd Maines produced and played on the album.

Angel Band first formed out of a weekly jam session headed up by Josephson's husband, GRAMMY-nominated folk music legend David Bromberg. As the band coalesced, they often served as openers and backup singers for Bromberg as he began touring after a long hiatus. He returned the favor, becoming the cornerstone of Angel Band's backing musicians. Playfully named Chum, the rest of the band is Bob Taylor (bass), Bobby Tangrea (mandolin, guitar, fiddle), Nate Grower (fiddle) and Jeff Wisor (fiddle). They were joined in the studio by Richard Crooks (drums), Bukka Allen (accordion), Marc Moss (hand drums, piano), Johnny Duke Lippincott (guitar) and Terri Hendrix (handclaps and the invaluable get down).

In a chaotic and rapidly changing music industry landscape, Angel Band focuses all their energies on the things they can control and the things that they believe in - making great music and hitting the road to perform and connect with fans. With the release of With Roots & Wings, the band will continue to tour as opener for Bromberg, as well as playing an increasing number of concerts on their own.

Josephson is remarkably succinct and straightforward in detailing the band's vision for broadening their audience. She says, "We play. The best part of Angel Band is the authenticity we bring to the music...in performance, writing, musical integrity...flexible yet uncompromising."

Angel Band's fearless and open-minded exploration of both music and theme is winning the band fans everywhere, including some high profile ones. Legendary singer Linda Ronstadt raves, "I love Angel Band's harmonies, wonderfully strong voices, and beautiful songs!"

David Dye, host of NPR-syndicated World Cafe, has his finger on the pulse of the hottest things happening in the acoustic music scene. He says, "The stunning harmonies are just the beginning. Fine writing, three distinct voices, and Lloyd Maines tying it all together."

The initial two tracks are an ear-opening declaration that Angel Band does not believe in boundaries. With Roots & Wings leads off with "Hey Papa Legba," an Afro-world-beat a cappella tour de force that segues into the breakneck Zydeco of "I'll Sing This Song For You." It's a jump that in less capable hands would not work, but Angel Band makes it a seamless transition. It is a bold move and one that pays off as it immediately gives the listener a sense of the depth and breadth of the band's musical style. Both songs are originals, as are 12 of the album's 13 tracks.

It all adds up to a wildly eclectic, yet tightly cohesive sound. It is a sound that leads the listener to one undisputable conclusion: Let these angels sing, let them soar.

Austin's "Best New Band 2007" to Release First Studio Album

The Band of Heathens Follow Live DVD Release with Self-Titled Studio Debut

Immensely popular Austin-based musicians The Band of Heathens take one more step beyond their Texas borders when they unveil their self-titled studio release on May 20, 2008. The five "rough around the edges" members of The Band of Heathens have a grit and authenticity reminiscent of other notable fan-driven rock bands like Little Feat, The Black Crowes and Drive-By Truckers.

Known for their live recordings, the Heathens present a polished studio album that showcases the individuals who came together partly by accident and marks their actualization into a unified band. The Band of Heathens were making a name for themselves long before they actually had their present moniker. While performing in other bands at the same venue, the guys began to jam together and were affectionately called the Heathens. Before long, the Austin press picked up on the name, which later evolved into The Band of Heathens. The Heathens' brand of Southern rock soon garnered the Austin Music Awards "Best New Band of the Year" accolade in 2007.

Living and performing in the live music capital of the US, The Band of Heathens have been able to forge musical relationships with local luminaries, many of whom contribute their talents to the new record. Produced by Ray Wylie Hubbard, the studio release features guests Stephen Bruton, Patty Griffin and Gurf Morlix. With no single front man, Ed Jurdi, Gordy Quist and Colin Brooks are each showcased in their vocal delivery, songwriting and guitar interplay. The unified front downstage is cemented by a heavy groove courtesy of Seth Whitney on bass and John Chipman on drums.

Touring all over the United States has also added layers of flavor to their songs. With raucous favorites like, "Bumblebee" and "Jenny Was a Keeper," the audience participation is a key ingredient. The guys definitely do not disappoint those looking for a live vibe on their latest record. The Heathens' fans will eat up the buoyancy of "Cornbread" and the old time rhythm of "Jackson Station." Conducive to dancing and swaying, the release is a record that, refreshingly, does not take itself too seriously. There is a comfort and ease in the material and lyrics; a perfect marriage of roots and jam allows the casual tone of the songs work anywhere from a back porch party to a packed club.

Even in their studio effort it is clear The Band of Heathens loves playing this music they create together. The five will continue their aggressive touring schedule supporting the new material and honor the relationship with their fans. The studio release will make their creative melange more accessible to a variety of audiences in 2008 and solidify their reputation in the American music scene.

Singer-Songwriter Holly Long Digs Deep While Leaving Kansas

Long Pulls From Life Experience To Create Gripping Record

As her own heroine, Holly Long tells a realistic and unapologetically frank story in every one of the thirteen tracks on her latest release, Leaving Kansas, available April 15, 2008. Reminiscent of Annie Lennox, Sheryl Crow, Sarah McLachlan and Fiona Apple, Long's piano-infused album is the epitome of candid beauty. Her songs, all self-penned, are like personal conversations with her favorite people and private moments with the ones she loves. A grace and effortless poise ties the music together; the tracks weave in and out of soulful gospel and quiet poetics. Regardless of the song's tempo or subject, Long's conviction bleeds from every line.

Mortality and redemption are central themes on Leaving Kansas and, like all good writers, Long draws from personal experience. After becoming ill with what she initially thought was the flu, Long was diagnosed with Endocarditis, a severe heart infection. The infection soon wreaked havoc on her entire body and she fell into a coma. The coma, which lasted a week, forced her to begin the process of rebuilding her strength. She began reconditioning her muscles and relearning how to walk, putting her resiliency to the test. On Leaving Kansas, Long contributes the same strength she used to recover from illness to her songwriting, and the incident seems to have removed all shades of fear from her craft. She uses the near death experience to humbly offer up the entirety of herself for her art. Her sentiments echo through the song, "Excess" where she refuses to find herself "dying from an excess of no living."

In 2000, shortly after her recovery, she released City Girl, a record that illustrated her determination to free herself from something still so close and so raw. The record was met with critical adoration. Every Little Seam, City Girl's follow-up, came four years later and drew inspiration from her new family, especially her young daughter Josephine.

Today, Long lives in Venice, California, known as a hangout for the creative and the artistic, with her husband, concept creator of the hit ABC television show, Lost. As a mother, a wife and an artist, Long finds herself invigorated by the everyday, genuine love around her. "He and I," written for her son, Truman, is one of the most personal tracks on Leaving Kansas and illustrates the closeness of their relationship.

Leaving Kansas is Long's third full-length release. For this project Long compiled a stellar production team to help achieve her sonic aspirations, including respected music producer Anthony J.W. Benson, renowned recording engineer Ian Terry (David Bowie, Diana Krall, Leonard Cohen) and mastering wiz Dominick Maita (Fall Out Boy, Jewel, Curtis Stigers). The results of their collective efforts and years of experience are evident in their organic approach and the intimacy of the recording.

Like the music of the muses, Holly Long is able to take any listener away with her, captivating us with her enticing stories of love and life. Long's voice is smooth, inviting and comfortable - at moments powerful, strong and committed and at other times vulnerable, seductive and real. In Leaving Kansas, Long inspires, hypnotizes and asks the listener to trust her, and the captivated are happy to oblige.

Caroline Herring's Lantana Reestablishes Singer as Preeminent Storyteller

Austin Music Award Winner for Best New Artist Returns with Album that Re-images the Gothic South

Nashville, Tenn. - Caroline Herring confidently returns to the forefront of the American roots music scene with her new album Lantana, due March 4th, 2008 on Signature Sounds Records. The Mississippi-born, Atlanta-based singer/songwriter took the producing helm for the first time on the new record, co-producing with long-time collaborator Rich Brotherton (Robert Earl Keen).

Intimate, powerful and honest, Lantana is a masterpiece of understated intensity and in many ways an artistic re-birth for Herring. After making a name for herself in Mississippi as band member and co-founder of the now renowned Thacker Mountain Radio music series, Herring moved to Austin, TX. Herring quickly took the town by storm, releasing the critically acclaimed debut album, Twilight. She won Best New Artist at both the 2002 SXSW Austin Music Awards and also from the Austin American Statesman. Herring soon after released an equally impressive follow-up, Wellspring.

Though Herring had established herself as an authentic, original voice, Herring paused to focus on marriage and motherhood as she continued to tour and play festivals nationally and internationally. The insights she gained over these few years are profoundly apparent in the songs of Lantana. Herring's songs represent the experiences of women who have not only faced the challenges inherent in a rural South childhood, but also the heartrending and often complex experiences of adult women who feel pressured to choose between tradition and career ambitions. The songs show that the results can be both awe-inspiring and sometimes even devastating.

"I just got to the point where I knew I had to write songs again," Herring says of re-launching her career. "Music is my life-blood, even as the career of the singer/songwriter is most unusual, especially in the South where the jobs of women are often mother first, wife second. There's a line in one of my songs about a woman who lives in a backroom and begins to disappear. I didn't want that to be me."

With a new batch of songs in hand, she returned to Austin to record Lantana with Rich Brotherton, who had produced Wellspring. The album is made up entirely of Herring originals, save her artful interpretation of two traditional songs. Because Herring had the chance to sit with the songs for a while, she developed clear ideas about the overall feel of the album. Lantana is clearly grounded in the acoustic traditional sounds of her early work. With Brotherton behind the soundboard, his and Herring's collaboration made for a quiet masterpiece.

In many ways Lantana is Herring's re-imaging of the Gothic South, with a rich alto voice that soothes the listener even as she addresses difficult subjects. Herring has a journalist's eye for detail, a poet's sense of scale and language, and a life-long Southerner's understanding of the issues that shape the culture below the Mason Dixon line. Herring tackles poignant themes of womanhood in "Fair and Tender Ladies", "Stone Cold World" and "Song For Fay." Herring also expertly throws her hat in the ring of the long-standing murder ballad tradition, this time representing Susan Smith in the song "Paper Gown." Herring's commitment to uncovering the truth in her songs led fellow artist Dar Williams to call Herring "the elusive real thing."

There is no artifice on Lantana. It's an album full of delights, lyrically and musically. And just like Caroline Herring, her new album is the real thing.

Blue Highway Releases Through The Window Of A Train on February 12, 2008 on Rounder Records

Nashville, Tenn.-- One of the most influential groups in contemporary bluegrass, Blue Highway fuses tradition with progress to create their own unique and timeless style. The band's forthcoming February 12 Rounder Records release, Through The Window Of A Train, reveals not only the instrumental virtuosity and impeccable vocal interplay of today's top progressive musicians, but also a depth of songwriting talent unrivaled on today's bluegrass scene.

Having played roles in bluegrass music's most influential acts such as Alison Krauss And Union Station, Larry Sparks, Doyle Lawson and Ricky Skaggs, the members of Blue Highway -- Tim Stafford (guitar, vocals), Wayne Taylor (lead vocals, bass), Shawn Lane (tenor vocals, guitar, mandolin, fiddle), Rob Ickes (Dobro, Scheerhorn acoustic slide guitar), and Jason Burleson (banjo, guitar, mandolin, bass vocals) -- refuse to rest on their past accomplishments. Instead, they forge forward, carefully balancing tradition with innovation, continually contributing to the depth and breadth of a flowing bluegrass river. Skaggs himself provided the accolade, "Blue Highway is writing their own history in bluegrass: fresh, but as old as the hills."

The band's eighth album, Through The Window Of A Train was self-produced by the band and recorded at Maggard Sound Studios in Big Stone Gap, Virginia, and features 12 songs, all written or co-written by Blue Highway's five accomplished songwriters - composers whose songs have been recorded by bluegrass staples Ronnie Bowman, Mountain Heart, the aforementioned Skaggs, and others. The recording showcases Blue Highway at their songwriting, instrumental, and vocal peak. With a nod to family, tradition, and travel on the album's title track, the account of a fading cowboy on "My Ropin' Days Are Done," the characterizations of wars past and current on "Homeless Man" and "Two Soldiers," and through the virtuosic picking on the instrumental "The North Cove," Blue Highway simultaneously deliver the past, present, and future of bluegrass.

Through the Window of A Train Complete Track Listing:
1. Life of a Travelin' Man
2. Through the Window of A Train
3. Sycamore Hollow
4. Homeless Man
5. Where Did the Morning Go?
6. Two Soldiers
7. The North Cove
8. A Week from Today
9. My Ropin' Days are Done
10. Blues on Blues
11. V-Bottom Boat
12. Just Another Gravel in the Road

GrandVista Music Brings New Vision To Old Standards - 3 CD Box Set Includes Booklet From Musicologist/Best Selling Author Robert Morgan

Also Included: Bonus CD Featuring New Orchestrations Of Christmas Hymns

Nashville, Tenn. - What is old is made new again - that's the philosophy behind GrandVista Music and their new 3-cd box set How Sweet The Sound. Chris Walters and Paul Binkley have united to produce a new sound in hymns. Fusing smooth jazz and old-fashioned melody through orchestral arrangements reveals yet another facet of these timeless songs. The Christmas Hymns bonus CD is especially interesting because a children's choir has been integrated into the flow almost like a jazz instrument - not taking front and center stage - but providing contrast for the rest of the arrangement.

It's not just the arrangements of these classic hymns that are getting a new, exciting, yet still reverent update. GrandVista Music is also taking a fresh approach to delivering and marketing music by using direct response television advertisement, direct mailing, and extensive Internet advertising to promote their products. GrandVista Music has launched several new marketing initiatives that are in the test stages right now.

A key component that differentiates GrandVista from other music companies is the very foundation upon which the company was built. In an increasingly complex world, filled with more and more distractions, GrandVista's mission is simple - "Make time for music."

"Music provides both entertainment and a catalyst for our imagination," says GrandVista Chairman David V. Mastran. "Basically, music enriches our lives, intensifies our experiences, and gives more meaning to who we are. That's why we say: 'Make time for music.'"

The music on How Sweet The Sound box set and Christmas album is courtesy of the GrandVista Recording Orchestra, whose members represent the uniquely diverse talent pool that is a hallmark of Nashville. Collectively, the musicians, arrangers and producers who make up the Orchestra have worked with biggest names in popular music including Michael McDonald, Amy Grant, Vince Gill, Tony Bennett, Diana Krall, Michael W. Smith, Alison Krauss and more.

GrandVista strives to deliver the finest quality possible with every release, including packaging and production. The company teamed with Robert J. Morgan, minister, hymns musicologist and best-selling author to create the Heritage of Our Hymns companion booklet included in every How Sweet The Sound box set. The booklet outlines the origin and history behind these beloved hymns.

That kind of commitment to excellence is helping GrandVista build a brand as a leader in lifestyle music. GrandVista is a new company built on old principles - quality, integrity and passion. Now that does sound sweet. Check them out on the web at www.grandvistamusic.com.

Owen Temple Travels Two Thousand Miles - New CD Propels Texas Singer Beyond The Lone Star State, Records Album With Legendary Producer Lloyd Maines

Nashville, Tenn. - With grit and a grin, Texas-based singer/songwriter Owen Temple comes barreling out of the Lone Star state with his new album Two Thousand Miles. The record, produced by famed Texas-music legend Lloyd Maines (Dixie Chicks, Terri Hendrix, Terry Allen), is a dusty backroads blend of heartache and hope. The album is being released on a staggered schedule. It's been available since late summer as a digital download on LoneStarTunes.com and will be released on iTunes in December. The physical record releases nationally on Jan. 22, 2008.

It's just the latest bold move from the charismatic singer who strives to be as innovative with the business side of his career as he is with his music. Temple says, "The idea was to not put any barriers between the fans hearing the new record right away - and then to let things grow from there."

If the growth of CD sales follows Temple's career arc - steadily upward - then he'll soon be as well known to the rest of the country as he is in Texas. Since his 1997 debut, General Store, he's been building fans, wowing critics and winning accolades at a heady pace. His 2002 release, Right Here and Now sold nearly 20,000 copies. His career's been picking up steam ever since. In fact, just this year he won the prestigious B.W. Stevenson Songwriting Contest, awarded every year in April at Poor David's Pub in Dallas, Texas. He's also been a New Folk Finalist at the world-renowned Kerrville Folk Festival.

When his distributor went belly up before paying him for sales of Right Here and Now, Temple decided to return to school and pursue a graduate degree in psychology in Madison, Wisconsin. It's hard to beat the songwriting bug into submission once it bites and the 31-year-old singer felt he'd left some business undone. So, one class shy of getting his master's degree, he decided to go after an advanced degree in making great music. A self-described family man, he approached his wife about giving the music thing another go. With her blessing he jumped back into the fire.

He reunited with Maines, who had produced his first two albums, and went into the studio with a new batch of songs. The results and Temple's growth as artist are evident throughout Two Thousand Miles. He's at home in the gritty realism that harkens back to his songwriting heroes like Steve Earle and Joe Ely. Rough and ragged characters on the edge ("Like We Still Care," "Demolition Derby") sit comfortably alongside heartfelt ruminations on love ("You Want To Wear That Ring," "You Don't Have To Be Lonely"). The stirring title track is a radio-ready, roll-down-the-windows anthem that showcases a singer ready for prime time.

Owen Temple is a man and songwriter who has traveled thousands of miles, literally and artistically. The new record has been a lifetime in the making. Through all the miles and highways he's traveled, Temple has come to a new beginning. One that finds him on the verge of greatness. And you can't get there without putting the miles behind you.

Nashville Chamber Orchestra Launches Acoustic Cafe Series at Grace Chapel - NCO Leads the Industry in Unique Initiatives, Online Projects

What: NCO Acoustic Cafe "Series 1"
Where: At Grace Chapel, Leipers Fork, TN
When: Friday, November 2, 2007; 8:00pm
Who: Performance by NCO String Quintet and Artist-in-Residence Darrell Scott
Special Guests: The Acoustic All-Stars: Bryan Sutton (guitar), Stuart Duncan (fiddle), Dan Dugmore (pedal steel guitar), Viktor Krauss (bass) and Kenny Malone (drums).
Tickets: $25 General Admission. To buy tickets call the NCO at 615-322-1226 ext 201.

Nashville, TN - NCO Artist-in-Residence, Darrell Scott, returns to create a program that is sure to lead you to new and undiscovered musical landscapes. A Grammy-nominated artist, an award-winning songwriter, and a first-call session musician, Scott begins his second and final year as Artist-in-Residence for the Acoustic Cafe Series by bringing together some of the some of the greatest pickers on the planet, dubbed The Acoustic All-Stars, to create a band that will integrate with the NCO String Quintet for a sound like no other. Playing inspired arrangements by Don Hart, this event will blend the best of Nashville's eclectic music community into a fresh, new sound.

As Scott's career has evolved as a master instrumentalist and high caliber songwriter, the accolades have come streaming in making him one of Nashville's most decorated songwriters. He was named Songwriter of the Year by the Nashville Songwriters Association International in 2001 and ASCAP's Songwriter of the Year in 2002. His critically acclaimed Theatre of the Unheard won 2005 Album of the Year with the Independent Music Awards, and was listed as one of the 2003 Critics Top Albums by Rolling Stone Magazine. With Scott's most recent solo effort, The Invisible Man (2006) the praise continues to roll in with his highest critical acclaim to date from the likes of NPR's "Fresh Air" and USA Today.

As a songwriter, Scott has contributed a string of hits that reads like a list of the best country music has to offer - GRAMMY award winning "Long Time Gone" and "Heartbreak Town" were both top hits for the Dixie Chicks, and "Born to Fly" was a No. 1 hit for Sara Evans. Scott has had more than 45 cuts by other artists including Garth Brooks, Faith Hill, Tim McGraw and Keb' Mo'.

Scott is a master of both the infectious, Appalachian-inflected riff, and of the instruments that bring them to life. His songs are propelled by his knack for blending tradition-soaked hooks with personal, contemporary lyrics. He quite simply loves to push musical boundaries and this led him to his relationship with NCO. Intrigued by Paul Gambill (NCO founder and director) and his innovative approach to creating music, Darrell became an Artist-in-Residence after being a featured performer in one of the original Acoustic Cafe Series shows at Belcourt Theatre. With a desire to further break musical bounds, Darrell sought out Gambill and began to collaborate to further develop the Acoustic Cafe Series.

The November 2nd performance will feature new arrangements of two of Darrell Scott's biggest hits recorded by other artists: "Great Day To Be Alive" - Travis Tritt (No. 2 US Country hit) and "Long Time Gone" - Dixie Chicks (No. 2 US Country hit) along with Scott's powerful instrumental, "Alton Air." Darrell will also perform some of his previously NCO commissioned arrangements, including an NCO special arrangement for his most covered song, the highly acclaimed "Harlan County".

Along with Scott, the Acoustic All-Stars include A-list performers, Bryan Sutton (guitar), Stuart Duncan (fiddle), Dan Dugmore (pedal steel guitar), Viktor Krauss (bass), and Kenny Malone (drums). Every one of the All-Stars is a renowned sideman, all of whom are stars in their own rights and all of whom have shared stages with top name artists in many musical genres including Lyle Lovett, James Taylor, Tricia Yearwood, Jerry Douglas, Alison Krauss and a host of others.

The NCO will feature the All-Stars with new charts by Don Hart on works they composed or, in the case of Stuart Duncan, feel particularly close to emotionally and artistically. In this way, each special guest is featured as a solo artist. Those works will be Bryan Sutton - "Walk Among The Woods" (B Sutton), Stuart Duncan - "Angelina Baker" (traditional), Dan Dugmore - "Kneeling" (D Dugmore), Viktor Krauss - "Hop" (V Krauss), Kenny Malone - "Let's Ride" (K Malone). Also, violin soloist and NCO concert master David Davidson will be performing "Fairy Dance" from his Keltic Fantasy album with the whole band.

All Access: A brand-new journey for the NCO is "Uncovered," an online initiative offering an insider's look at the creative process behind the music. Fans pay a one-time fee for one year's access to behind-the-scenes footage, interviews, and more as the orchestra works on new music and new recordings. It's VIP access at the click of a mouse. The NCO "Uncovered" project will offer a glimpse at Nashville's world-class orchestra as it prepares for a new season, creates new compositions and more. At the end of the season, members can choose between the "best of" the Adventure Series, the Acoustic Cafe Series or they can select both offerings.

Don't spend an evening AT the orchestra. Spend an evening WITH it! Be a part of something magical. Get to know the musicians, and fall in the love with the music. Log on to nco.org for information about the "Uncovered" projects, a complete season lineup, to purchase season or individual-show tickets and more.

The NCO season is made possible in part through support from the Metropolitan Nashville Arts Commission, Tennessee Arts Commission and the National Endowment for the Arts.

A Whole New NCO - Nashville Chamber Orchestra Leads the Industry in Unique Initiatives, Online Projects

NASHVILLE - The Nashville Chamber Orchestra (NCO), a leading orchestra that commissions new music that integrates classical traditions with jazz, folk and world music, recently launched its 18th season. Unique performance lineups are something for which the NCO is known, and the all-new online presence shows a commitment to continual evolution.

Gambill is "Practically Perfect"
The NCO was founded and led by Musical Director Paul Gambill, who was chosen as one of nine "highly gifted, emerging conductors," by the National Conducting Institute. It's Gambill's talent and innovation that have led the NCO to enjoy local and national acclaim for helping pioneer a movement in orchestral fusion. Gambill is held in the industry's highest regard, with his recordings called, "practically perfect from every perspective," by Classics Today.

Since 1996, the NCO has commissioned and premiered the works of 36 American composers and recorded albums for six different labels. Composer residencies have included the industry's premiere musicians, and the NCO's community engagement initiatives are widespread. From the interactive education programs like songwriting project Kid Pan Alley, to the orchestra's ENCORE project for teens, the NCO's dedication to Nashville's youth is deeply rooted and proven to change lives.

Intimate Interaction: A Night at the Orchestra
An evening with the NCO is always an experience to behold. In keeping with the NCO's unspoken mission - to reach beyond the typical boundaries set forth by traditional orchestras - Gambill interacts with his audience adding a true element of intimacy to each live show. It's these asides that make each concert different. Audience and conductor interact as comrades. Gone are the lines that divide a patron and the performer. It's artistic immersion in the truest sense. Additionally, when performances call for sound reinforcement, performers wear state-of-the-art clip-on microphones allowing them to hear fellow performers and move about freely during concerts. An evening with the NCO is like sitting in on a jam session with the industry's most talented, most respected performers. It's personal, and audiences feel the freedom they are given to interpret NCO's eclectic sounds however they wish.

This season features another year of originality most definitely topping years' past. The orchestra's two series offer completely different options undoubtedly appealing to all musical tastes. The Adventure Series, which kicks off on October 13, starts with Tango!, a partnership with Tango Nashville. The evening will feature an unusual mix of jazz, English folk, tango and classical music, all the while spotlighting the sounds of Raul Jaurena on the bandoneon. The Acoustic Cafe series, launching November 2, features artist-in-residence Darrell Scott and an all-star lineup of accompanying musicians. Season tickets are available as well as on a per-show basis.

Sign of the Times: Uncovered
As any creative entity must, the NCO is meeting and exceeding expectations for technological integration with the artistic experience. Reaching out to all nations, the NCO is pioneering unexplored territory with the launch of Uncovered, a behind-the-scenes look at how the music is made. Fans pay a one-time fee for one year's access to never-before-seen footage, interviews and more as the orchestra works on new music and recordings, collaborating with stellar performers who share the same vision. It's VIP access at the click of a mouse.

The first NCO Uncovered project, which was launched in July, features NCO artist-in-residence and famed guitarist, John Jorgenson (Desert Rose Band, the Hellecasters), as he collaborates with the NCO to make new music. The first series was awaited with much anticipation and received with much excitement. Next up is NCO Uncovered, a glimpse at Nashville's world-class orchestra as it prepares for it's latest season, creating new compositions and more. Fans will especially appreciate the access Uncovered gives them to relive the best from both the Adventure and Acoustic series.

Don't spend an evening AT the orchestra. Spend an evening WITH it! Be a part of something magical. Get to know the musicians, and fall in the love with the music. Log on to nco.org for future Uncovered projects, a complete season lineup, to purchase season or individual-show tickets and more.

A Whole New NCO - Nashville Chamber Orchestra

(NCO) Gets a New Look, a New Lineup and a New Online Initiative

Loosen the tie, and prep your ears for something different. This isn't the symphony, and this definitely isn't your parents' chamber orchestra. It's the Nashville Chamber Orchestra (NCO), and as it launches into its 18th season, music lovers will relish in what's on tap.

The NCO provides "Music Without Boundaries" to Nashvillians, and while nationally recognized for its traditional sounds, the NCO's reputation for breaking musical molds makes it stand out as a leader in the field. Performances with Trey Anastasio of jam band Phish and klezmer band Brave Old World are rarities in the world of orchestras, yet it's collaborations like these that make the NCO a diamond in the rough. NCO's mission is to reach beyond the comfortable, taking listeners on exciting journeys into unexplored worlds. Composer residencies have included the industry's most innovative and the NCO's community engagement initiatives are widespread. From interactive education programs like the songwriting project Kid Pan Alley, to the orchestra's ENCORE project for teens, the NCO's dedication to Nashville's youth is deeply rooted and proven to change lives.

New Season, New Initiatives, New Move
With a solid reputation for offering original works with a fusion flare, the NCO has a dedicated following of music lovers with pedigreed palettes. But you don't have to be a refined listener to be a fan. This year, the NCO is committed to spreading the music to the masses through an all-new lineup, a new headquarters and a groundbreaking online initiative.

Founded by music director Paul Gambill, the NCO is always on the path to newer, greater, more innovative projects. Gambill knows the reputation that typical chamber orchestras have, and it's that knowledge that drives him to break out, take risks and uncover unexplored musical worlds. His marriage of orchestral music to world, jazz and folk music is both his talent and his passion. The 2007-08 season renews those marital vows to bring the most original NCO season to date. This year's HCA Adventure Series kicks off on October 13 with Tango! The collaboration with Tango Nashville will feature an appearance by a Tango dance duo and spotlight the sounds of Raul Jaurena on the bandoneon. The NCO's Acoustic Cafe Series, sponsored by Vanderbilt-Williamson and Bank of America, launches November 2 when the orchestra plays with artist-in-residence Darrell Scott and features all-star acoustic musicians Kenny Malone, Stuart Duncan, Dan Dugmore, Viktor Krauss and Bryan Sutton, all of whom are stars in their own right, and all of whom have shared stages with top name artists in many musical genres.

Becoming a true contender in Nashville's largely country-dominated music scene and helping contribute to its burgeoning diversity, the NCO has brand new headquarters on Nashville's world-famous Music Row. The Music Row office positions the NCO in an even greater leadership role to create new outlets for the unlikely collaborations for which it is known.

A brand-new journey for the NCO is "Uncovered," an online initiative offering an insider's look at the creative process behind the music. Fans pay a one-time fee for one year's access to behind-the-scenes footage, interviews and more as the orchestra works on new music and new recordings. It's VIP access at the click of a mouse. The first NCO "Uncovered" project features NCO artist-in-residence, famed guitarist John Jorgenson (Desert Rose Band, the Hellecasters) as he collaborates with the NCO to make new music. The second "Uncovered" project is a glimpse at Nashville's world-class orchestra as it prepares for a new season, creates new compositions and more.

The NCO season is made possible in part through support from the Metropolitan Nashville Arts Commission, Tennessee Arts Commission and the National Endowment for the Arts.

To learn more about the renowned NCO or for a closer look at what this season has in store including "Uncovered" projects, a complete lineup and more, log on to nco.org.

Suzy Bogguss Is In Sweet Danger This Fall

Platinum-selling Singer Explores Jazzy Side on New Album

Nashville, Tenn. - Multi might be the best adjective to describe talented singer/songwriter Suzy Bogguss. Multi-award-wining, multi-platinum, and as her new CD Sweet Danger so expertly proves, she's multi-faceted. She co-produced the album with famed jazz/pop keyboardist and producer Jason Miles, who's worked with Miles Davis, Luther Vandross and Sting. The two brought together Nashville and New York musicians, culling the best of both worlds to create an instantly engaging, groove-oriented record infused with jazz rhythms and Bogguss' signature vocals. This highly anticipated album will be released September 4th on Loyal Dutchess Records.

She says recording the album was one of the most challenging and freeing experiences of her career. "I love the sweetness of making a snap decision and the danger of living with the consequences. When I went to New York the first time and we started to record I thought 'oh my God, what is this music?' I didn't know what it was. I didn't know how to control it. But then I just let go, enjoyed the process and followed the music wherever it needed to go. I came home with these tracks that were new and different and that was so exciting. I couldn't wait to get started writing the rest of the album."

Fans will soon be able to share her enthusiasm. Sweet Danger, like all of her previous work, is filled with songs full of emotional integrity. She covers Chicago's "If You Leave Me Now" and creates a totally new vibe by stripping the song down to its emotional core and rebuilding it with a tight acoustic ensemble. "No Good Way To Go" is a tongue-in-cheek lesson in "the break up" delivered in a bluesy, whispered rap. She turns to husband/songwriter Doug Crider for "In Heaven," the emotional centerpiece of the album written about some of the couple's best friends.

Throughout her career Bogguss has shown a knack for blending songs of substance and depth with mass-market appeal. Songs like "Aces," "Drive South," "Someday Soon," "Outbound Plane" and "Letting Go" took her to the top of the country music charts. Along the way she won raves from critics and her peers. She won the Country Music Association's Horizon Award in 1992 and Album of the Year Award in 1994.

Sweet Danger is a natural evolution from the universally praised album, Swing she recorded in 2003 with Ray Benson of Asleep At The Wheel, and Simpatico, her earlier much loved collaboration with Chet Atkins. Still, as the title of the new album implies, she had to risk following her muse into uncharted musical territory in order to find these newest treasures.

With great risk comes great reward, and discerning music lovers are the real winners here. Suzy Bogguss dares to take the road less traveled and that has made all the difference.

Corinne West Lands All-Star Musicians For Second Sight

New CD Features Mike Marshall, Jerry Douglas, Darol Anger, and Tony Furtado

Nashville, Tenn. - Corinne West has a rare gift - she sings as eloquently and powerfully as she writes. Her new album, Second Sight, showcases a singer and songwriter hitting her creative stride. She recorded the album, which releases October 23, 2007 with producer Mike Marshall, known for his work with David Grisman, Mark O'Connor, Bela Fleck, and Edgar Meyer.

West's collaboration with an outside producer (she self-produced her critically acclaimed debut, Bound for the Living) kicked open the creative floodgates.

"Mike was brilliant and easy to work with," says Corinne. "He was so focused on making sure we served the songs well. It took the recording process to a whole new level."

That included bringing in the world-class talent of Jerry Douglas, Darol Anger and Tony Furtado to join Marshall in fleshing out West's potent songs. The secret weapon turned out to be West's incredibly emotive voice. It leaves an indelible stamp on the heart as it twines through her subtle yet sophisticated songs.

Few songwriters deliver both the artistic integrity and popular commercial appeal that are hallmarks of West's music. It's a one-two punch that solidified her reputation as one of the most successful songwriters to emerge on the Americana scene in the past few years.

She's toured relentlessly, building her reputation the most authentic way - one fan at a time. On her travels, she's also won such top honors as finalist in the prestigious Kerrville Folk Festival songwriting contest. That launched her onto the national festival circuit and helped kick her touring schedule into overdrive, including a tour of England and Ireland in early 2007.

Her overseas tour became possible when BBC legend Bob Harris began featuring her on his radio show. Fans across the ocean fell in love with West's eclectic mix of folk, rock, bluegrass and Americana. The tour was so successful that she's headed back for a return engagement in early 2008.

The emotional power, raw soulfulness, and understated beauty of Corinne West's music has her on the brink of stardom. It's a rare gift to witness the birth of an important new creative force in American music, but that's what you'll discover with Second Sight. It's essential listening for anyone who keeps an ear on the pulse of great music.

Terri Hendrix is The Spiritual Kind

New Album Releases August 28

Nashville, Tenn. – On August 28, San Marcos, TX-based singer/songwriter Terri Hendrix shows her spiritual side on an all-new album. The Spiritual Kind, her 10th - and current - release, reveals her constant evolution of spirit and art.

Produced by long-time friend and mentor Lloyd Maines (Terri Allen, Dixie Chicks), this album is an exploration through new music avenues, a journey that Terri attributes in large part to the motivation she gets from Maines to dig even deeper into her creative well. "Lloyd demands excellence," says Terri. "And when you're constantly put in a position where you have to be at a certain level for things to fly, I think it makes you better."

Terri's raw talent is exposed in its most natural form on The Spiritual Kind, making it unquestionably her best album to date. On it, she sheds (though never permanently) her harmonica neophyte reputation and embraces her hard-core inner harpist. "What intrigues me about the harp is that it can sound like so many things: a voice, a fiddle, an accordion, even percussion." Her solos on songs like, "No Love in Texas," and the Jimmy Driftwood cover, "What is the Color of the Soul," showcase her passion and desire to master what Terri describes as a "complex, beautiful instrument."

The rest of the album displays Terri's growing self-confidence, like a blossoming flower reaching past the garden gate to explore the world beyond. Each song runs the gamut from folk to pop to blues to jazz all the while casually carrying off the "anything goes" eclecticism that is typically saved for her live shows. "The idea was to venture into new territory," says Terri. "There's not one song on here that has a pattern that we've done before."

Terri's foray into uncharted waters is most evident on "Jim Thorpe's Blue," a song written for and about the Native American athlete who was stripped of his 1912 Olympic medal in a racially driven decision. The song, which comes later in the record, vibes with social awareness and a heated desire to change the very injustices that still plague the world today. "For me, that's really what makes this record different," says Hendrix. "It's about awareness, and it's about a tribute to the things and people that too often go overlooked," like Lloyd Maines' body of work and her dear friend, the late philanthropist and musician Marion Williamson, who passed away of cancer in 1997. "Acre of Land" is a tribute to Williamson, who taught Terri to play guitar in exchange for a little help on Williamson's goat-milking farm. Terri credits Williamson with instilling in her the will and confidence to make a go at the music business, consequently creating one of the most successful DIY music careers to date.

Hendrix taps into her soulful side on the album's title track, "The Spiritual Kind." The song was written about an old cross that Lloyd Maines found and gave to Terri. This little cross became a peace symbol of sorts, bringing her comfort as she faced one of the most difficult times in her life - being diagnosed with epilepsy. "I feel I have had epilepsy my whole life but was diagnosed with it in 1993," says Terri. "I kept it hidden till 2003. It was then that I faced the music and began a life-long plan to keep myself healthy and face the illness."

Terri shares her cross with her fans who are struggling, hoping that it will serve as a source of strength and peace for them as it did for her. The only catch: the power of that cross must be ever shared and passed on. "Spiritual people have always inspired me," says Hendrix. "I try to be one myself - it's a work in progress." Currently, Terri's cross is with a woman battling cancer.

Beyond her music, Terri continues to reach out to and inspire her fans through "Goatnotes," her blog whose name is an affectionate throwback to her days on Williamson's farm. Terri shares her heart through her journals, showing others that absolutely anyone can do any thing when they work hard and dream even harder. With all of her heart in every self-produced record, it's Terri's fans that keep her soul full. "The music has let me be part of my fans' lives," says Hendrix," and that is my true reward."

In addition to recording and performing, Hendrix shares her creative spirit with the students in her "Life's a Song" workshops, a program she conducts periodically with Maines. Each session, all of which are consistently sold out, exposes songwriters and musicians of all levels to a positive, non-critical and creative atmosphere for a weekend. "We brainstorm, write, go on dolphin tours, walk on the beach and play lots and lots of music!" Each student also gets a Hendrix-penned booklet called, "The Part That Ain't Art," an introspective look into the music business - warts and all - from this true industry veteran.

Terri's spiritual flame is ignited by the friends and mentors surrounding her, and it is fanned by the songs that branch off of that very foundation. The Spiritual Kind guarantees a diverse journey pausing only briefly to reflect on the beauty that life brings. And, then the journey continues.

The Spiritual Kind is available August 28 in stores and online at terrihendrix.com and other music hotspots.

Steep Canyon Rangers Are Lovin’ Pretty Women

2006 IBMA Emerging Artist Winners Release New Studio Album

Nashville, Tenn.— The Steep Canyon Rangers, one of the most vital, exciting bluegrass bands working the format today, are set to release Lovin' Pretty Women, the band's latest CD since winning the International Bluegrass Music Association's (IBMA) "Emerging Artist" award. Hit songwriter and fellow IBMA award-winner Ronnie Bowman produced the album. Rebel Records is the esteemed home to this incendiary and road-tested band. The record will drop nationally on August 14, 2007. Lovin' Pretty Women will guarantee this group's continued ascent to the top of the bluegrass ranks, while reaching new audiences as they expose their own unique and timeless style to a wider and more diverse audience on the road.

The Steep Canyon Rangers are Graham Sharp (banjo, lead and harmony vocals), Woody Platt (guitar and lead vocals), Charles R. Humphrey III (bass and harmony vocals), Mike Guggino (mandolin and harmony vocals), and Nicky Sanders (fiddle and harmony vocals).

The Steep Canyon Rangers dig even deeper into a traditional bluegrass sound on Lovin' Pretty Women, but with a sophisticated twist. It's an album filled with the vim and vigor of a band in love with making music. The Rangers have written their own material since they first started jamming together in a stairwell on the campus of UNC. The group is blessed with artistic vision, a gift for songwriting and an intense desire to create their own unique sound. That's why the Rangers have been able to honor the bluegrass masters who came before them while nudging the genre forward in new and exciting ways.

"Traditionally bluegrass bands have gotten by playing all the standards," says Sharp. "Most of those songs have all been done and they've been done really well. Why try to recreate something that you can't outdo? So that was our motivation, to just be original. It gave us the opportunity to figure out how to be unique within a format steeped in tradition."

The new album showcases a band at the top of its game, whether dipping their banjos and guitars in the gospel water of "Be Still Moses" or telling stories from the coalmines in "Call The Captain" and "Cumberland Moon." The Ranger's compelling harmonies throughout are a testimony to the band's belief that the voice is as vital a musical instrument as anything with strings.

Their super-tight harmonies and unique style caught the ear of legendary artist manager Don Light (Jimmy Buffet, Delbert McClinton, Keith Whitley, and the Oak Ridge Boys). Light built his reputation by spotting music visionaries early in their careers. He saw the same spark and intense desire in the Steep Canyon Rangers and signed on to manage their career.

Together the Rangers and Light have been taking the band's music to an ever-widening audience. In fact, the Rangers export their uniquely American music across the Atlantic this year when they tour Europe for the first time.

This fall they'll also be hosting the 2nd Annual Mountain Song Music Festival, a festival they started to benefit the Boys & Girls Club in Brevard, N.C.

Whether they're Lovin' Pretty Women or making new fans all over the world, there's one thing the Steep Canyon Rangers will definitely be doing - creating timeless acoustic music that honors tradition, while boldly moving it into the future.

The Derailers' Under the Influence of Buck a Freewheeling, Loving Tribute to the 'King of Bakersfield'

Nashville, Tenn. - It was their mutual love for the music of legendary country artist Buck Owens that originally brought The Derailers together back in the '90s, and with the July 31 release of their eighth album, Under the Influence of Buck, the honky-tonkin' boys from Austin bring their music all the way back to the source with a rollicking and heartfelt tribute to the timeless music of Buck Owens.

As the band has evolved over the years, perfecting its patented "Beatles-meets-Bakersfield" sound, The Derailers have always looked to Owens and his band, the Buckaroos, for inspiration. Their love and respect for the music Owens made is as unabashed and real as the performances that are captured on this special album. Well-loved standards like "I've Got a Tiger By the Tail," "Cryin' Time" and "Together Again" are delivered fresh, and the band dusts off lesser-known Owens songs like "Down On the Corner of Love" and "Who's' Gonna Mow Your Grass" with passion-fueled versions that do the Buckaroos proud.

The band met their hero in 1995, performing at a Buck Owens' birthday celebration in Austin, TX. Owens was visibly touched by the extent to which The Derailers honored him with their faithful adherence to the sound he created. He invited the band to come and play his club in Bakersfield, California, the Crystal Palace, and thus began their musical relationship. And it was Buck who personally asked The Derailers to be the house band for his 70th Birthday Bash in 1999. Buck stood up and cheered for them in front of all in attendance: his friends and family, as well as his business and musical associates - including a reunion of the classic Buckaroos line-up. The back cover photo of Under the Influence of Buck holds the image of Buck looking on with pride at the band who carries on in his footsteps. It is clear that Buck gave the group his genuine seal of approval.

"Over the years, we talked to him extensively about music, what he had done and what we were trying to accomplish," says The Derailers leader Brian Hofeldt. "He offered insight and sympathy for what we had ahead of us, and most importantly, encouragement. He put his money where his mouth was and continued to book us in his club and get together with us whenever we came through Bakersfield. It was an honor to be recognized and boosted by a man who was our musical hero and the times we had to spend with Buck are cherished memories."

The road to Under the Influence wasn't without its bumps and potholes. After signing with Palo Duro Records and touring behind their critically acclaimed 2006 release, Soldiers of Love, Derailers frontman Brian Hofeldt survived a run-in with a drunk driver (Brian's fine!) and the theft of his beloved vintage guitar (it's been recovered!). The tireless energy of a seasoned Derailers lineup - including pedal steel guitarist Chris Schlotzhauer and keyboardist Sweet Basil McJagger - together with these Owens' classics makes for a potent mix and a meant-to-be musical moment. These songs haven't sounded so contemporary since the day they were first released.

From the album's opening track, "Foolin' Around," to "Big in Vegas," the mournful track that closes this remarkable collection, Under the Influence of Buck is a loving look back and a natural step forward for one of the coolest bands in the land.

Abra Moore A Featured Artist For Luna Guitars

May 30, 2007

The lovely Abra Moore will be taking the world by storm with her upcoming release On the Way (June 12, 2007, Sarathan Records). The first video from the release, "Sugarite," was directed by famed photographer Jack Spencer and is currently making its way across the YouTube stratosphere.

Abra is also a featured artist for Luna Guitars. You can see Abra playing her Luna guitar, "Spirit in the Night," in the "Sugarite" video.

Antsy McClain On NPR!

May 24, 2007

Antsy and the Troubs are playing several shows in support of Trailercana, which was released worldwide May 22nd. They're leaving folks holding their sides from laughter with their trailer park humor. We couldn't be prouder if we were Ron Howard's brother.

Antsy recently talked with Debbie Elliot on NPR's All Things Considered. You can listen here or here.

Stoll Vaughan Featured On Paste Podcast

March 31, 2007

Stoll Vaughan took a quick break from the road (playing dates with Marty Stuart) to sit down in the Decatur, GA, Paste Magazine headquarters to record a podcast interview and performance.

The Paste Culture Club Podcast features Stoll performing "Alright," Fade Away" and "Savior" and discusses his music and the last few hectic months of his life. Also featured on the podcast is R.E.M.

http://www.pastecultureclub.com

RCPM in Harp Magazine

Courtest of http://harpmagazine.com

Roger Clyne & the Peacemakers Launch Album, Tour Sophie Schwadron

March 27, 2007

Roger Clyne is the essence of the Arizona wilds: his band the Peacemakers’ new album, No More Beautiful World, released last week, is a 14 track double-disc CD/ DVD portrait of the beauty and spirit of Southwest America and the artists who call it home.

In classic Clyne style the record celebrates American and Mexican roots, with upbeat catchy choruses that invite you to sing along. He also probes contemporary issues ranging from politics (“Goon Squad”) to society—the scarcity of selflessness (“Plenty”) and cultural ignorance (“Lemons”). Clyne, who studied anthropology and psychology, questions life and the passing of time on “Hourglass”: “When will this current find the ocean?/ Where will this river meet the sea?/ And I don't know why we float/ But I like this buoyancy.”

A sophisticated thinker and adventure-seeker with a passion for nature, Clyne has his quirks. Seasoned to life on the road, he travels whenever possible on foot or bike; when his band tours their bus runs on biodiesel. He issued an instructional video on Margarita mixing and launched his own line of tequila. He loves a conversation over backyard barbeque and brew. An unrepentant rock and roller, he hosts thousands of fans biannually for Circus Mexicus, a weekend of music and festivity.

Clyne wasn’t serious about music as a career until he was climbing alternative rock charts in the nineties as frontman for the Refreshments. With the Peacemakers, Clyne demonstrates how he’s grown and matured—now a husband and father of three—and the new record is a reflection of the place he has reached both personally and artistically.

Without the support of a major-label, RC&TPM have driven each of their albums into the Billboard Top 20, and their 2004 release ¡Americano! ranked among the top Internet sales debuts in its first week. In support of No More Beautiful World the band is embarking on a 30 plus date nationwide tour, kicking it all off on March 30th at the Gothic Theatre in Englewood, Colorado.

Roger Clyne & the Peacemakers Tour Dates:

3/30/2007 Gothic Theatre Englewood CO
3/30/2007 Twist & Shout Denver CO
3/31/2007 Belly Up Aspen Aspen CO
4/1/2007 Rum Bay Grand Junction CO
4/3/2007 Suede Park City UT
4/4/2007 Big Easy Boise ID
4/5/2007 Big Easy Concert House Spokane WA
4/6/2007 Crystal Ballroom Portland OR
4/7/2007 El Corazon Seattle WA
4/11/2007 The Boardwalk Orangevale CA
4/12/2007 Moe’s Alley Santa Cruz CA
4/13/2007 Slim’s San Francisco CA
4/14/2007 The Roxy Los Angeles CA
4/20/2007 Wormy Dog Oklhoma City OK
4/21/2007 Antone’s Austin TX
4/22/2007 Continental Houston TX
4/24/2007 Smith’s Olde Bar Atlanta GA
4/25/2007 Hideaway BBQ Raleigh NC
4/26/2007 Stone Pony Asbury Park NJ
4/27/2007 Harper’s Ferry Boston MA
4/28/2007 BB King’s New York NY
4/30/2007 Horseshoe Tavern Toronto ON
5/1/2007 Beachland Ballroom Cleveland OH
5/3/2007 Magic Bag Detroit MI
5/4/2007 Joe’s Bar Chicago IL
5/5/2007 FineLine Music Cafe Minneapolis MN
5/6/2007 TBA Des Moines IA
5/7/2007 Skinner’s Pub Brookings SD
5/9/2007 Blueberry Hill St. Louis MO
5/10/2007 Hurricane Kansas City MO
5/11/2007 Aggie Ft. Collins CO
5/12/2007 Black Sheep Colorado Springs CO
5/19/2007 Circus Mexicus Puerto Penasco, Mexico

visit www.azpeacemakers.com for more information

Pam Tillis Rediscovers Roots -courtesy of GAC TV

GAC TV.COM Pam Tillis Rediscovers Roots March 28, 2007 — Although she's not big on labels, Pam Tillis says the term "neo-traditionalist" fits her upcoming album, Rhinestoned, pretty well.

Of the new CD, set for release April 17 on her own Stellar Cat label, Pam tells blogcritics.org, "I've heard it called neo-traditionalist and I kind of like that. It's firmly rooted in the past, but it's also inclusive of many things that are in the moment. [It's] a roots record, but it's a little left of center of commercial country that you might hear on the radio: a little Americana with shades of bluegrass."

After recording some albums that had more of a country-pop feel, Pam says she made a conscious decision to turn her focus back to her origins or "to turn back to the barn," as she jokes.

Pam's previous album, It's All Relative, was a tribute to her father, Mel Tillis, and Pam says she felt some pressure covering his music. "I wanted to do it justice and I wanted to make him proud," she says. "I wanted to please the older fans, but also find a way to turn the younger generation on to his music. Maybe they'll go back and seek his work out. I had a lot of goals with that one."

As for the future, Pam says, "The music business is not like, 'Well, I knocked that out, let's go on to the next thing.' Every year you're doing the same thing, only new. Yes, we've made 10 albums, but this is the new album. And yes, we've been on the road, but this is the new tour. We're going to different towns and different places in the world, and I just want to keep doing what I'm doing, only better."

Clear Channel Buckles Under Fed Pressure and Ends Payola

New Consent Decree Will Force Big Radio to Play Indie Music

March 5th, 2007

Credit: Moses Avalon Newsletter

Well, well. I never thought I would live to see the day, but I did. In a landmark settlement announced today radio monolith ClearChannel as well as three other radio conglomerates have bowed their heads in shame and tentatively agreed to pay the FCC $12.5 million in fines for payola. But they didn’t stop there. Part of a sister settlement will require Big Radio to provide about 16,000 hours of free airtime for independent record labels as a form of reparations.

Two FCC officials would only speak off the record until final details are ironed out, but the skinny is this: a consent decree between the FCC and Clear Channel Communications Inc., CBS Radio, Entercom Communications Corp. and Citadel Broadcasting Corp, has been reached wherein these entries will be required to allocate 8200 half hour blocks of airtime each for small labels to garnish public awareness in their artists.

Allegedly, the free airtime would be granted to companies not owned or controlled by one of the nation's four dominant music labels -- Sony BMG Music Entertainment, Warner Music Group, Universal Music Group and EMI Group.

Also under the new deal, broadcasters would also have to keep a data-base and log of all gifts and promotional items they receive from label and independent promoters to inspire play-list rotation, so that the station may be audited for potential graft and abuse. There will even a new "payola hot line" for employees to report infractions. (Can I have that job—please?)

Good news it seems for small labels except that the FCC and we, in the business have a couple of things to consider:

--How a label will be defined as “not controlled by one of the nation's four dominant music labels” will be very challenging indeed, when one considers that RIAA affiliated labels touch 80-90 of the product in the retail market space in one way or another (Even indie distributors like RED and Fontana are controlled by majors like Sony and UMVD.) And…

--Can you imagine being the whistle blower, (likely an intern at a radio station) with the type of serous disregard for their career it would take to call the FCC when they spot “potential infractions.”

-- 16,000 hours sounds like a lot until you start carving it up among the 3000 active indie labels in the US.

--We have now successfully invited government regulations into our industry. In fact, Big Radio is financing Fed intervention with the $12.5 million in fines to be paid. We already have the Fed influencing compulsory rates. Isn’t that enough? Who knows what will come next. And, finally…

--None of this will apply to satellite, HD or internet radio. Only terrestrial radio, which some feel is losing market share by the hour.

So… too little, too late? I don’t think so. Despite the cautions above, I’m really an optimist. And unlike some of my other bloggy pundents, who have given up on terrestrial radio I still believe in it as a strong platform for getting new music in the ears of the general public-- if you could afford to. In the past, this was near impossible. Now, it will still be hard but hope springs eternal with this new ruling not only because it makes a point but because it will likely influence other decisions along these lines in the future. Imagine, if you will, a future ClearChannel being caught violating this decree and being required to post 50,000 hours of free time. That starts to hurt.

I believe that it’s a major victory for he little guy even if the Fed will make a few million off the deal. Small labels have something reasonable to compete for and low-budget Indie promoters will be tooling up to get their clients on the block for this “free time.” If you use a radio promoter, expect a call from him sometime this week.

Hopefully, the $12 large in fines will go towards policing the efforts to make sure that small shell-companies or three-deep labels, owned by majors (who often refer to themselves as “indies”) will not be able to get their hands on this precious gift. With new opportunity, will certainly come new opportunists.

The world just got a bit more interesting.

Reporting from the front,

Moses Avalon
For the full story go here: http://biz.yahoo.com/ap/070305/payola_settlements.html?.v=8

Pam Tillis Hits The Road!

Pam Tillis is back on the road! Her first stop? South by Southwest this week.

Pam will be performing multiple times throughout the festival: first at the Conqueroo Showcase on March 14th at 4pm, next at the Austin Music Showcase on March 15th at 8pm, then again on March 16th (her Official SXSW Showcase) at the Continental Club.

Also, in support of the April 17th release of Rhinestoned, Pam will be making stops in Owensboro, KY on April 12th, Branson, MO on April 13th and Poteet, TX on April 15th before returning to the Grand Ole Opry for her album release. Check www.pamtillis.com for more details.

Pam Tillis On Woodsongs Tonight!

Pam Tillis will perform on Woodsongs Old-Time Radio Hour tonight, Monday, March 5, 2007.

Woodsongs Old-Time Radio Hour is recorded live every Monday evening from the Kentucky Theatre in Lexington, KY. The Woodsongs credo is to encourage grassroots, Americana music and explores the worlds of folk, bluegrass, songwriting, new artists and literature.

While some of Woodsong's radio affiliates broadcast the show live over the air, you may view the show in its entirety and catch encore performances not heard on the radio broadcast on the Woodsongs Webcast!

The Woodsongs Webcast runs from 6:55pm-8:15pm Eastern.

Antsy Takes Over YouTube!

Antsy McClain and the Trailer Park Troubadours have once-again invaded Google's most addictive portal, YouTube. Live footage from the band's recent video shoot in Grass Valley, CA, has been cut together for your viewing enjoyment.

The video features clips of the band performing "I Married Up," "Falling In Love In America" and many more, as well as a dancing "Aunt Beulah" and a shout-out to Flamingoheads! It's a must see - truly three minutes of love from the band to their fans.

YouTube link - "Troubs In Grass Valley"

Pam Tillis releases first album in 5 years!

Rhinestoned is Pam Tillis’ first album since 2002’s tribute to her father, Mel Tillis, titled It’s All Relative. Co-produced by the trio of Tillis, Matt Spicher (Marty Stuart, Ricky Skaggs) and Gary Nicholson (Delbert McClinton, Wynnona), the new CD is also her first independent release. A child of Music City royalty and a former rebel, Pam Tillis was determined to find her own way as a singer and songwriter — and she succeeded. A CMA Female Vocalist of the Year, she has written songs for some of the top singers in and beyond Nashville, including more than a few of her own hits. That’s one reason why Rhinestoned marks the first album to be released on Stellar Cat, Pam’s own imprint. With total creative control, she let her heart lead the way toward material that she could perform honestly and emotionally.

To hear tracks off her upcoming record, visit www.myspace.com/pamtillis or check out her brand new website-www.pamtillis.com

Roger Clyne and the Peacemakers gear up for their March 20th release!

Roger Clyne & the Peacemakers (RCPM) raise the bar again with the release of their fourth studio album, No More Beautiful World, on March 20, 2007. The much-anticipated, CD/DVD combo-album features 14 new songs and an 83-minute DVD containing interviews, recording sessions and more. It will be available via the band’s website – www.azpeacemakers.com – as well as through traditional retail and online outlets. The album will be launched with a kick-off concert on March 24th at Phoenix’s Celebrity Theatre.

No More Beautiful World circles around choice and accountability and how individuals truly can affect change in their own lives, as well as others – for better or for worse. Even its title suggests a glass is half-empty/-full perspective and Clyne wrote many of the songs to encourage personal introspection. From the pop goodness of “Hello New Day” to the straight-ahead “Maybe We Should Fall in Love,” to the edgy “Andale,” he continues to weave the song mastery that ensures that words are never wasted.
Check our their eCard here: http://www.azpeacemakers.com/ecard/

Humorist/Songwriter Antsy McClain Returns With New Trailercana CD

Antsy McClain is quintessential Americana, but not in the musical genre kind of way. Oh no, McClain is Americana in the reared-in-a-trailer-park-by-a-truck-driving-father-and-Avon-selling-mother kind of way. Like a surreal Norman Rockwell painting come to life, McClain is the embodiment of the small-town, blue-collar life he experienced growing up in a little Kentucky trailer park called Pine View Heights.

The characters and characteristics he witnessed in Pine View Heights made an indelible impression on the young artist in training. He grew into a first-rate songwriter, incredible visual artist and insightful humorist. He was also hit with a touch of the mad genius. His latest CD, Trailercana, is a showcase for his diverse talents. He made the record, which releases on April 3rd, with his longtime band The Trailer Park Troubadours.

New Cadillac Sky Interview Online!

Cadillac Sky River Runner - and The Virginia Prograsser Internet radio broadcaster - Steve Sikes-Nova is broadcasting an interview he recently conducted with Bryan Simpson, lyricist, lead singer and mandolinist of our bluegrass phenoms Cadillac Sky. What a great way to spread the word!

The interview runs on the station from 5-6pm (Eastern) on Tuesdays and again at 8:30pm (Eastern). Please head on over to his station's Live365 page for a listen to this as well as great bluegrass, newgrass, prog and alt-country!

Cadillac Sky CD Release and Tour Dates

Cadillac Sky will be releasing their new Skaggs Family Records record, Blind Man Walking, on January 23, 2007. To celebrate the release, Cadillac Sky has planned a special, FREE CD Release party at Nashville, TN's Mercy Lounge on the release date! We welcome all River Runners to come by the Mercy Lounge for the show.

The band will also be playing a string of dates leading up to their performances at The Spirit Of Bluegrass Music Festival in Live Oak, FL.

1/23/2007 - Nashville, TN - Mercy Lounge - 06:30pm - Free CD Release Party!
2/23/2007 - Fort Worth, TX - Jack's Off the Wall - 09:45pm
2/24/2007 - Linden, TX - Music City Texas Theater - 08:00pm
3/15/2007 - Live Oak, FL - Spirit Of Bluegrass Music Festival - 08:00pm
3/16/2007 - Live Oak, FL - Spirit Of Bluegrass Music Festival - 08:00pm
3/24/2007 - East Tawas, MI - Corsair Concert Series - 07:30pm
3/25/2007 - Ortonville,MI - Folk with Shades of Blue - 08:00pm

Please head over to Cadillac Sky's MySpace page and check out some great progressive Bluegrass!

John Starling and Carolina Star Contest

This week, we are launching a John Starling and Carolina Star Tell A Friend Contest! Please join us in spreading the word about Slidin' Home, the great new record from these Seldom Scene cohorts which includes a guest appearance from long-time friend, Emmylou Harris!

The Tell A Friend contest will run weekly through February 12, 2007. At the end of every week, a prize will be awarded to the person with the most fan referrals. Prizes can range from a signed CD to concert tickets. Weekly contest stats will be featured on the John Starling and Carolina Star MySpace page.

Two New River Runner Campaigns!

Lotos Nile has recently launched two new River Runner Campaigns: Cadillac Sky and John Starling and Carolina Star.

Both artists offer spine-tingling Bluegrass, but each has a very unique take. John Starling and Carolina Star, a band that includes co-founders of the legendary Seldom Scene showcases artists with 30 years of experience under their belts while Cadillac Sky, a 5-piece from Fort Worth, TX, are setting the progressive Bluegrass world on its ear with virtuosic picking skills and inspired songwriting.

Everybody's already talking about the upcoming 2007 releases from these bands! Don't just take our word for it, here's what the critics are already saying:

John Starling and Carolina Star
Cadillac Sky

Stoll Vaughan Plays Texas, Smiles For The Camera

Stoll Vaughan will be playing three dates in Texas with the legendary Robert Earl Keen: 12/7 in Dallas (Poor David's Pub), 12/8 in Helotes (Floore's Country Store) and 12/9 in Stephenville (Bostock's).

In other news, Stoll Vaughan recently stopped by the Lotos Nile offices to record a Holiday greeting for his River Runners! We plan to have the special message available before December 22nd, so keep checking back.

River Runner Exclusive Content Page Launched

Lotos Nile has just put the finishing touches on the River Runner Exclusive Content Page! We plan on using this page to provide live footage, rare songs and other goodies to current River Runners.

The first piece of exclusive content is a video from the amazing Jeff Black. Recorded live on November 15th, 2006 at Nashville's Country Music Hall Of Fame for the taping of XM Radio's "Artists Behind The Hits" program. Here, Jeff performs "Cakewalk" with accompaniment from host and mandolinist extraordinaire Sam Bush.

Getting to the exclusive content couldn't be easier.... Just log into Your Dock and click on "Exclusive Content" in the panel on the right.